Two part cleft Ash-wood from Pembrokeshire with acrylic paint.
Monogrammed letter carving on Ash-wood 'limed' with acrylic paint and rubbed back to the grain.
The words are from the poem My Grandmother's Love Letters by Hart Crane (1899 - 1932).
The vertical arrangement of the most of the words imitates the trickling of water down a window, emphasising their meaning by slowing the reader down, while still remaining quite legible.
Featured in Martin Wenham: The Art of Letter Carving in the Wood, by Martin Wenham, 2022.
A free copy of Martin Wenham’s new book Martin Wenham The Art of Letter Carving, published by Crowood Press (price £25), will accompany each purchase from the exhibition.

Born in 1941, Wenham’s interest in lettering was stimulated at an early age. At university Wenham read botany and forestry, his artistic propensity aiding with precise observational drawing. Throughout this time an interest in pen-lettering persisted and after a research colleague requested a carved house-name in wood Wenham approached the professional carver Harry Spring, who showed him the basic technique of letter-cutting.
After a year Wenham left research and for the next 23 years taught in secondary, primary and special schools, with 9 years’ lecturing at the University of Leicester. He first exhibited his letter-cutting work in 1982; since 1984 it has been shown in the major British exhibitions of lettering arts. Wenham’s work is held in the Crafts Council’s Permanent Collection and in private collections in Britain, the USA, Germany, Japan and Puerto Rico.
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