Shino glaze & natural ash
Shino glazes were first developed in Japan during the mid-1500s. They are distinguished by their large feldspar content, minerals that lower the melting point of the glaze mixture and help bond its distinct elements. They generally range from milky whites and pinks to deep reds, oranges and greys depending on their makeup and firing and can vary hugely in appearance from potter to potter.
Of particular interest in Shino wares is the phenomenon of ‘carbon trapping’, where carbon is caught within the glaze during the firing, creating bubble-like spots or dark grey patches on the surface of the pot. Though it is sometimes described as a glaze defect, this blushing effect can be especially attractive and is often sought after by potters.
Natural ash glaze occurs in a wood fired kiln when ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln.

Having studied with Warren MacKenzie and Hamada's favourite apprentice, Tatsuzo Shimaoka, Johnston is one of the most exciting and innovative potters working in America today.
He is recognized internationally as an artist who has pursued functional expression and brought a fresh aesthetic vision to contemporary form, and for his many contributions to the development of wood kiln technology in the United States.