Back to Ceramics /
Large Jar
Item Code: CER-NC-828-s
Shino & natural ash
Date of Work
2017
Signed
Signed
Height (cm)
33
Width (cm)
31
Clay
Stoneware
Firing
Wood
Nationality
British
Shino & natural ash
Shino glazes were first developed in Japan during the mid-1500s. They are distinguished by their large feldspar content, minerals that lower the melting point of the glaze mixture and help bond its distinct elements. They generally range from milky whites and pinks to deep reds, oranges and greys depending on their makeup and firing and can vary hugely in appearance from potter to potter. Of particular interest in Shino wares is the phenomenon of ‘carbon trapping’, where carbon is caught within the glaze during the firing, creating bubble-like spots or dark grey patches on the surface of the pot. Though it is sometimes described as a glaze defect, this blushing effect can be especially attractive and is often sought after by potters.
Natural ash glaze occurs in a wood fired kiln when ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln.
Shino glazes were first developed in Japan during the mid-1500s. They are distinguished by their large feldspar content, minerals that lower the melting point of the glaze mixture and help bond its distinct elements. They generally range from milky whites and pinks to deep reds, oranges and greys depending on their makeup and firing and can vary hugely in appearance from potter to potter. Of particular interest in Shino wares is the phenomenon of ‘carbon trapping’, where carbon is caught within the glaze during the firing, creating bubble-like spots or dark grey patches on the surface of the pot. Though it is sometimes described as a glaze defect, this blushing effect can be especially attractive and is often sought after by potters.
Natural ash glaze occurs in a wood fired kiln when ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln.
Nic Collins was born in 1958 in Leamington Spa, Warwickshire. A self-taught potter and woodfirer, he started building kilns and wheels during his late teens and early 20s, experimenting with raku, salt glazing and sawdust firings, and using clay sourced from local river banks.He studied studio ceramics at Derby College of Art 1985-86 and then went on to work in potteries in Italy and Germany before returning to the UK. He now lives and works in Devon, on the edge of Dartmoor.
We ship all over the world on a daily basis and make purpose-built boxes to protect your work in transit. Once the work is ready we will contact you to organise a convenient delivery date.
If, for any reason, you are not happy with your purchase please contact us to arrange return and refund.
If, for any reason, you are not happy with your purchase please contact us to arrange return and refund.
Goldmark Gallery
14 Orange Street, Uppingham
Rutland, LE15 9SQ, UK
+44 (0) 1572 821424
This email address is being protected from spambots. You need JavaScript enabled to view it.
Mon-Sat: 9.30am - 5.30pm
Sunday: 11.00am - 4.00pm
The gallery is open again to visitors. We continue to make regular weekly broadcasts on goldmark.tv where you can catch up on the latest news from the gallery. You can buy from us online or contact us by email or telephone. We look forward to hearing from you soon.
14 Orange Street, Uppingham
Rutland, LE15 9SQ, UK
+44 (0) 1572 821424
This email address is being protected from spambots. You need JavaScript enabled to view it.
Mon-Sat: 9.30am - 5.30pm
Sunday: 11.00am - 4.00pm
The gallery is open again to visitors. We continue to make regular weekly broadcasts on goldmark.tv where you can catch up on the latest news from the gallery. You can buy from us online or contact us by email or telephone. We look forward to hearing from you soon.