{"title":"All Potters M","description":"All Potters M","products":[{"product_id":"big-globular-bottle","title":"Big Globular Bottle","description":"\u003cp\u003eStamped repeat pattern. Tenmoku\u003c\/p\u003e","brand":"Jim Malone","offers":[{"title":"Default Title","offer_id":40348217475210,"sku":"CER-JM-248-s","price":3250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/files\/jim-malone-2023-153-1.jpg?v=1705497870"},{"product_id":"footed-slab-bottle-1","title":"Footed Slab Bottle","description":"","brand":"Jim Malone","offers":[{"title":"Default Title","offer_id":40348246933642,"sku":"CER-JM-303-s","price":770.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Jim-Malone_303-1.jpg?v=1640686673"},{"product_id":"yohen-vase-1","title":"Yohen Vase","description":"\u003cp\u003eNatural ash glaze.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eYohen, which translates as \u003cem data-mce-fragment=\"1\"\u003echanged by the fire\/flame\u003c\/em\u003e or \u003cem data-mce-fragment=\"1\"\u003ekiln change\u003c\/em\u003e, refers to changes that happen in the kiln during firing, causing the glaze to run. The build up of ash on the floor of the kiln and the natural glazing process that occurs because of it result in Yohen pots in deep browns, blues \u0026amp; reds.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePotters who wood-fire rely on the source of ash from their wood fuel for a 'natural ash' glazing. Ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAccompanied by a signed, made to measure box.\u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40349861838986,"sku":"CER-KM-273-s","price":2950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Ken-Matsuzaki_273-2.jpg?v=1640694090"},{"product_id":"yohen-inlaid-vase","title":"Yohen Inlaid Vase","description":"\u003cp\u003eNatural ash glaze \u003c\/p\u003e\n\u003cp\u003eAccompanied by a signed, made to measure box. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40349864558730,"sku":"CER-KM-274-s","price":2950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/files\/ken-matsuzaki-2026-274-2.jpg?v=1778058231"},{"product_id":"yohen-vase-5","title":"Yohen Vase","description":"Natural ash glaze \u0026amp; shino\u003cbr\u003e\u003cbr\u003e\nYohen, which translates as \u003ci\u003echanged by the fire\/flame\u003c\/i\u003e or \u003ci\u003ekiln change\u003c\/i\u003e, refers to changes that happen in the kiln during firing, causing the glaze to run. The build up of ash on the floor of the kiln and the natural glazing process that occurs because of it result in Yohen pots in deep browns, blues \u0026amp; reds.  \n\u003cbr\u003e\u003cbr\u003e\n\nJapan’s first white glaze, Shino is a mix of ground feldspar \u0026amp; clay.\u003cbr\u003e\nIt varies in colour from a thick snowy white through to grey, pink, and orange. A distinctive characteristic of Shino is small pinholes in the surface of the glaze, particularly favoured by tea masters. When applied thinly on iron rich clay bodies the pristine white can turn red as it absorbs the iron oxide. Developed during the Momoyama period (1568–1600), the glaze fell out of favour in the early 18th century when Oribe glaze became more popular. It wasn't until the 20th century that Shino regained its popularity. \n\u003cbr\u003e\u003cbr\u003e\nAccompanied by a signed, made to measure box","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40349870030986,"sku":"CER-KM-305-u","price":1650.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Ken-Matsuzaki_305-1.jpg?v=1640694190"},{"product_id":"yohen-square-vase","title":"Yohen Square Vase","description":"\u003cp\u003eTetsu and natural ash glaze.\u003c\/p\u003e\n\u003cp\u003eYohen, which translates as \u003ci\u003echanged by the fire\/flame\u003c\/i\u003e or \u003ci\u003ekiln change\u003c\/i\u003e, refers to changes that happen in the kiln during firing, causing the glaze to run. The build up of ash on the floor of the kiln and the natural glazing process that occurs because of it result in Yohen pots in deep browns, blues \u0026amp; reds.\u003c\/p\u003e\n\u003cp\u003ePotters who wood-fire rely on the source of ash from their wood fuel for a 'natural ash' glazing. Ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln.\u003c\/p\u003e\n\u003cp\u003eAccompanied by a signed, made to measure box.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40349872619658,"sku":"CER-KM-309-s","price":1500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Ken-Matsuzaki_309-2.jpg?v=1640694215"},{"product_id":"square-vase","title":"Square Vase","description":"\u003cp\u003eKiseto\u003c\/p\u003e\n\u003cp\u003eOriginating in the late 16th century, Ki-seto (Yellow Seto) is part of the Mino family of ceramics, produced in the Seto \u0026amp; Mino areas. The four styles of Mino wares - \u003cem\u003eShino, Oribe, Setoguro \u0026amp; Ki-seto\u003c\/em\u003e, are often used to produce wares for the Tea Ceremony.\u003c\/p\u003e\n\u003cp\u003eThe green copper splashes are known as \u003cem\u003eTanpan\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eAccompanied by a signed, made to measure box.\u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40349875536010,"sku":"CER-KM-310-s","price":1400.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Ken-Matsuzaki_310-1.jpg?v=1640694236"},{"product_id":"jim-malone-the-pursuit-of-beauty","title":"Jim Malone - The Pursuit of Beauty","description":"\u003cp\u003e64 page monograph with essay by David Whiting\u003c\/p\u003e","brand":"Jim Malone","offers":[{"title":"Default Title","offer_id":40350995546250,"sku":"BK-CER-JM-2008","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/jim_malone_2008.jpg?v=1640703321"},{"product_id":"jim-malone-new-pots-2011","title":"Jim Malone - New Pots 2011","description":"\u003cp\u003e64 page monograph with essay by Andy Christian\u003c\/p\u003e","brand":"Jim Malone","offers":[{"title":"Default Title","offer_id":40350995677322,"sku":"BK-CER-JM-2011","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/jim_malone_2011.jpg?v=1640703329"},{"product_id":"ken-matsuzaki-new-pots-2009","title":"Ken Matsuzaki - New Pots 2009","description":"\u003cp\u003e64 page monograph with essay by Sebastian Blackie\u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40350999117962,"sku":"BK-CER-KM-2009","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/matsuzaki_2009.jpg?v=1640703356"},{"product_id":"ken-matsuzaki-thirty-years-of-a-living-tradition","title":"Ken Matsuzaki - Thirty Years of a Living Tradition","description":"\u003cp\u003e64 page monograph with photographs of the potter at work in Mashiko, Japan and examples of his pots in situ. Essay by David Whiting.\u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40350999314570,"sku":"BK-CER-KM-2007","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/matsuzaki_2007.jpg?v=1640703364"},{"product_id":"ken-matsuzaki-new-pots-2011","title":"Ken Matsuzaki - New Pots 2011","description":"\u003cp\u003e64 page monograph with essay by Phil Rogers\u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40351000395914,"sku":"BK-CER-KM-2011","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/matsuzaki_2011.jpg?v=1640703373"},{"product_id":"yohen-vase-7","title":"Yohen Vase","description":"Natural ash glaze\u003cbr\u003e\u003cbr\u003eAccompanied by a signed, made to measure box","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40352684441738,"sku":"CER-KM-403-u","price":3650.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Ken-Matsuzaki_403-1.jpg?v=1640712162"},{"product_id":"yohen-vase-12","title":"Yohen Vase","description":"Natural ash glaze\u003cbr\u003e\u003cbr\u003e\nYohen, which translates as \u003ci\u003echanged by the fire\/flame\u003c\/i\u003e or \u003ci\u003ekiln change\u003c\/i\u003e, refers to changes that happen in the kiln during firing, causing the glaze to run. The build up of ash on the floor of the kiln and the natural glazing process that occurs because of it result in Yohen pots in deep browns, blues \u0026amp; reds.  \n\u003cbr\u003e\u003cbr\u003e\n\nAccompanied by a signed, made to measure box","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40353130021002,"sku":"CER-KM-408-s","price":2950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Ken-Matsuzaki_408-1.jpg?v=1640715080"},{"product_id":"yohen-vase-13","title":"Yohen Vase","description":"","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40353133101194,"sku":"CER-KM-417-s","price":1950.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/ken-matsuzaki_417-17.jpg?v=1640715119"},{"product_id":"yohen-vase-14","title":"Yohen Vase","description":"\u003cp\u003eNatural ash glaze.\u003c\/p\u003e\n\u003cp\u003eYohen, which translates as \u003ci\u003echanged by the fire\/flame\u003c\/i\u003e or \u003ci\u003ekiln change\u003c\/i\u003e, refers to changes that happen in the kiln during firing, causing the glaze to run. The build up of ash on the floor of the kiln and the natural glazing process that occurs because of it result in Yohen pots in deep browns, blues \u0026amp; reds.\u003c\/p\u003e\n\u003cp\u003ePotters who wood-fire rely on the source of ash from their wood fuel for a 'natural ash' glazing. Ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln.\u003c\/p\u003e\n\u003cp\u003eAccompanied by a signed, made to measure box.\u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40353136017546,"sku":"CER-KM-422-s","price":1800.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Ken-Matsuzaki_422-1.jpg?v=1640715144"},{"product_id":"vase-11","title":"Vase","description":"\u003cp\u003eTetsu Shino\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShino\u003c\/em\u003e glazes were first developed in Japan during the mid-1500s. They are distinguished by their large feldspar content, minerals that lower the melting point of the glaze mixture and help bond its distinct elements. They generally range from milky whites and pinks to deep reds, oranges and greys depending on their makeup, the clay body they are applied to and and firing and can vary hugely in appearance from potter to potter. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSebastian Blackie explains more about Matsuzaki's shino glazes here:\u003c\/p\u003e\n\u003cp\u003eShino is a glaze made almost entirely from the feldspar family of minerals. When they melt they form a liquid of high viscosity that continues to move with great sluggishness at much higher temperatures. Feldspars that are alkaline and low in silica typically produce a thick white glaze breaking to pink or red in the presence of iron oxide. Matsuzaki brilliantly combines layers of different feldspars which interact in firing, forming eutectics (a mix of two materials that melt at a lower temperature than either alone) at their interface, causing the materials to slide over one another to produce glaze effects of great drama and movement. White Shinos on iron-bearing clay bodies will slowly darken as they absorb the oxide. This glaze quality is rarely seen outside Japan. It is the result of seven day-long firings at relatively low stoneware temperatures; a legacy of the inefficient (in Western terms) Anagama kilns in which Shino glazes were first fired. This quality is the product of long firings but also the embodiment of a ritual where the potter is physically and emotionally stretched in the process of giving some permanence to his work.\u003c\/p\u003e\n\u003cp\u003eAccompanied by a signed, made to measure box.\u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40353140375690,"sku":"CER-KM-429-s","price":1100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Ken-Matsuzaki_429-1.jpg?v=1640715186"},{"product_id":"vase-13","title":"Vase","description":"\u003cp\u003eOribe\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDating back to the 16th century, \u003cem data-mce-fragment=\"1\"\u003eOribe\u003c\/em\u003e ware pottery is rarely found outside of Japanese ceramics. The brilliant green of \u003cem data-mce-fragment=\"1\"\u003eOribe\u003c\/em\u003e surfaces is due to a glaze rich in copper. During the firing, the copper reacts in the heat of the kiln with silica in the clay, producing a transparent glaze surface with a distinctive emerald colour.\u003c\/p\u003e\n\u003cp\u003eOften the unglazed areas of an Oribe ware pot are decorated with iron brush strokes which, when fired, become a bold orange or rust-red colour, contrasting beautifully with the cool green glaze.\u003c\/p\u003e\n\u003cp\u003eNarumi Oribe is a style of Oribe ware made using two different coloured clay bodies. The lower part of the pot being made in red clay and decorated with bold white slip painted designs, whilst the upper part of the pot is made in white clay and covered with the vivid green glaze, the pale clay body bringing out the brilliance of the Oribe glaze.\u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40353143718026,"sku":"CER-KM-435-s","price":1850.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/files\/ken-matsuzaki-2026-435-1.jpg?v=1778058481"},{"product_id":"vase-22","title":"Vase","description":"\u003cp\u003eTetsu Shino\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShino\u003c\/em\u003e glazes were first developed in Japan during the mid-1500s. They are distinguished by their large feldspar content, minerals that lower the melting point of the glaze mixture and help bond its distinct elements. They generally range from milky whites and pinks to deep reds, oranges and greys depending on their makeup, the clay body they are applied to and and firing and can vary hugely in appearance from potter to potter. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSebastian Blackie explains more about Matsuzaki's shino glazes here:\u003c\/p\u003e\n\u003cp\u003eShino is a glaze made almost entirely from the feldspar family of minerals. When they melt they form a liquid of high viscosity that continues to move with great sluggishness at much higher temperatures. Feldspars that are alkaline and low in silica typically produce a thick white glaze breaking to pink or red in the presence of iron oxide. Matsuzaki brilliantly combines layers of different feldspars which interact in firing, forming eutectics (a mix of two materials that melt at a lower temperature than either alone) at their interface, causing the materials to slide over one another to produce glaze effects of great drama and movement. White Shinos on iron-bearing clay bodies will slowly darken as they absorb the oxide. This glaze quality is rarely seen outside Japan. It is the result of seven day-long firings at relatively low stoneware temperatures; a legacy of the inefficient (in Western terms) Anagama kilns in which Shino glazes were first fired. This quality is the product of long firings but also the embodiment of a ritual where the potter is physically and emotionally stretched in the process of giving some permanence to his work.\u003c\/p\u003e\n\u003cp\u003eAccompanied by a signed, made to measure box.\u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40353305165962,"sku":"CER-KM-571-u","price":895.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Ken-Matsuzaki_571-4.jpg?v=1640716925"},{"product_id":"yohen-rectangular-vase-1","title":"Yohen Rectangular Vase","description":"\u003cp\u003eNatural ash glaze\u003c\/p\u003e\n\u003cp\u003eAccompanied by a signed, made to measure box. \u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40353456128138,"sku":"CER-KM-98-u","price":1800.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Ken-Matsuzaki_98-1.jpg?v=1640718422"},{"product_id":"bowl-22","title":"Bowl","description":"Oribe\u003cbr\u003e\u003cbr\u003e\n\nHaving moved on from his Mingei roots, one of the traditions Matsuzaki looked to for inspiration was that of Oribe, from the Momoyama Period. Named after and inspired by the warrior, tea master and connoisseur of the arts, Furuta Oribe. Oribe wares are often identifiable by their vivid green, copper based glaze and may also have underglaze brushwork patterns painted in white. \n\n\n\u003cbr\u003e\u003cbr\u003e\nAccompanied by a signed, made to measure box","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40353467629706,"sku":"CER-KM-591-s","price":950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/files\/ken-matsuzaki-2026-591-1.jpg?v=1778058573"},{"product_id":"ken-matsuzaki-elemental","title":"Ken Matsuzaki - Elemental","description":"","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40353971273866,"sku":"DVD-CER-KM","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/matsuzaki-dvd_cover_rev_1.jpg?v=1640723416"},{"product_id":"jim-malone-potter","title":"Jim Malone - Potter","description":"","brand":"Jim Malone","offers":[{"title":"Default Title","offer_id":40353977467018,"sku":"DVD-CER-JM","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/malone-dvd-front-cover_1.jpg?v=1640723481"},{"product_id":"ken-matsuzaki-2013","title":"Ken Matsuzaki - 2013","description":"","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40354535309450,"sku":"BK-CER-KM-2013","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/matsuzaki-covwe.jpg?v=1640727577"},{"product_id":"footed-bottle-8","title":"Footed Bottle","description":"\u003cp\u003eHedgerow ash glaze with engraved grasses\u003c\/p\u003e","brand":"Jim Malone","offers":[{"title":"Default Title","offer_id":40355661185162,"sku":"CER-JM-221-s","price":600.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Jim-Malone_221-2.jpg?v=1640739244"},{"product_id":"yohen-water-container-4","title":"Yohen Water Container","description":"Natural ash glaze\u003cbr\u003e\u003cbr\u003e\n\nThe water container or \u003ci\u003eMizusashi\u003c\/i\u003e, is used to hold the fresh water during the Japanese Tea Ceremony. \n\u003cbr\u003e\u003cbr\u003e\nYohen, which translates as \u003ci\u003echanged by the fire\/flame\u003c\/i\u003e or \u003ci\u003ekiln change\u003c\/i\u003e, refers to changes that happen in the kiln during firing, causing the glaze to run. The build up of ash on the floor of the kiln and the natural glazing process that occurs because of it result in Yohen pots in deep browns, blues \u0026amp; reds.  \n\u003cbr\u003e\u003cbr\u003e\n\n\nAccompanied by a signed, made to measure box","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40359985971338,"sku":"CER-KM-654-u","price":2100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/ken-matsuzaki_654-1_1.jpg?v=1640771028"},{"product_id":"yohen-vase-30","title":"Yohen Vase","description":"Natural ash glaze\u003cbr\u003e\u003cbr\u003e\n\n\nYohen, which translates as \u003ci\u003echanged by the fire\/flame\u003c\/i\u003e or \u003ci\u003ekiln change\u003c\/i\u003e, refers to changes that happen in the kiln during firing, causing the glaze to run. The build up of ash on the floor of the kiln and the natural glazing process that occurs because of it result in Yohen pots in deep browns, blues \u0026amp; reds.  \n\u003cbr\u003e\u003cbr\u003e\n\nAccompanied by a signed, made to measure box","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40360002158730,"sku":"CER-KM-736-s","price":1750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/ken-matsuzaki_13-5_1.jpg?v=1640771069"},{"product_id":"vase-74","title":"Vase","description":"Mashiko Karatsu\u003cbr\u003e\u003cbr\u003e\n\n\nThe Karatsu technique is believed to have originated in Korea. \u003cbr\u003eKaratsu ware is made from a clay with a high iron content. Images of flowers, plants, birds or mythological creatures may be be painted onto the pots using an iron-based underglaze. The work is then fired with a semi-transparent grey glaze which allows the underglaze to show.\n\u003cbr\u003e\u003cbr\u003e\n\nAccompanied by a signed, made to measure box","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40360019525770,"sku":"CER-KM-756-s","price":770.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/ken-matsuzaki_33-3.jpg?v=1640771114"},{"product_id":"yohen-vase-37","title":"Yohen Vase","description":"Natural ash glaze\u003cbr\u003e\u003cbr\u003e\n\n\nYohen, which translates as \u003ci\u003echanged by the fire\/flame\u003c\/i\u003e or \u003ci\u003ekiln change\u003c\/i\u003e, refers to changes that happen in the kiln during firing, causing the glaze to run. The build up of ash on the floor of the kiln and the natural glazing process that occurs because of it result in Yohen pots in deep browns, blues \u0026amp; reds.  \n\u003cbr\u003e\u003cbr\u003e\nAccompanied by a signed, made to measure box","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40360323186826,"sku":"CER-KM-737-s","price":1200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/ken-matsuzaki_14-1_1.jpg?v=1640772086"},{"product_id":"ken-matsuzaki-voice-of-the-rain","title":"Ken Matsuzaki - Voice of the Rain","description":"\u003cp\u003e64 page monograph with essay by Max Waterhouse.\u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40360589852810,"sku":"BK-CER-KM-2015","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/files\/Screenshot2024-01-21at12.59.37.png?v=1705842043"},{"product_id":"footed-bottle-20","title":"Footed Bottle","description":"\u003cp\u003eFluted. Nuka\u003c\/p\u003e","brand":"Jim Malone","offers":[{"title":"Default Title","offer_id":40363658313866,"sku":"CER-JM-470-s","price":825.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/jim-malone_14-1.jpg?v=1640790862"},{"product_id":"jim-malone-a-celebration-2016","title":"Jim Malone - A Celebration 2016","description":"\u003cp\u003e64 page monograph with essays by Ray Pearson and Max Waterhouse.\u003c\/p\u003e","brand":"Jim Malone","offers":[{"title":"Default Title","offer_id":40363768643722,"sku":"BK-CER-JM-2016","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/malone-16.jpg?v=1640792159"},{"product_id":"flask-type-bottle","title":"Flask Type Bottle","description":"\u003cp\u003eWax resist pattern, Kaki glaze\u003c\/p\u003e","brand":"Jim Malone","offers":[{"title":"Default Title","offer_id":40363785453706,"sku":"CER-JM-620-s","price":675.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/jim-malone_164-1.jpg?v=1640792400"},{"product_id":"footed-bottle-26","title":"Footed Bottle","description":"\u003cp\u003eFluted. Tenmoku\u003c\/p\u003e","brand":"Jim Malone","offers":[{"title":"Default Title","offer_id":40365477986442,"sku":"CER-JM-471-s","price":770.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/jim-malone_671-1.jpg?v=1640802290"},{"product_id":"warren-mackenzie","title":"Warren MacKenzie","description":"\u003cp\u003e64 page monograph with essay by Robert Silberman.\u003c\/p\u003e","brand":"Warren MacKenzie","offers":[{"title":"Default Title","offer_id":40368288956554,"sku":"BK-CER-WM-18","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Screenshot_202018-06-21_2012.09.07.png?v=1640825395"},{"product_id":"tokaiseki-vase","title":"Tōkaiseki Vase","description":"\u003cp\u003eShino\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eTōkaiseki\u003c\/em\u003e is a technique of Matsuzaki’s own invention, these sculptural works are not thrown but hewn, carved and torn from hollowed blocks of clay on a potter’s wheel using a variety of tools – from knives and wooden scrapers to wire, fingers, thumbs and even fistfuls of clay itself. Developed over many years, these forms now represent a distillation of Matsuzaki’s enigmatic, tour-de-force approach to his medium.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShino\u003c\/em\u003e glazes were first developed in Japan during the mid-1500s. They are distinguished by their large feldspar content, minerals that lower the melting point of the glaze mixture and help bond its distinct elements. They generally range from milky whites and pinks to deep reds, oranges and greys depending on their makeup, the clay body they are applied to and and firing and can vary hugely in appearance from potter to potter. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSebastian Blackie explains more about Matsuzaki's shino glazes here:\u003c\/p\u003e\n\u003cp\u003eShino is a glaze made almost entirely from the feldspar family of minerals. When they melt they form a liquid of high viscosity that continues to move with great sluggishness at much higher temperatures. Feldspars that are alkaline and low in silica typically produce a thick white glaze breaking to pink or red in the presence of iron oxide. Matsuzaki brilliantly combines layers of different feldspars which interact in firing, forming eutectics (a mix of two materials that melt at a lower temperature than either alone) at their interface, causing the materials to slide over one another to produce glaze effects of great drama and movement. White Shinos on iron-bearing clay bodies will slowly darken as they absorb the oxide. This glaze quality is rarely seen outside Japan. It is the result of seven day-long firings at relatively low stoneware temperatures; a legacy of the inefficient (in Western terms) Anagama kilns in which Shino glazes were first fired. This quality is the product of long firings but also the embodiment of a ritual where the potter is physically and emotionally stretched in the process of giving some permanence to his work.\u003c\/p\u003e\n\u003cp\u003eAccompanied by a signed, made to measure box.\u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40368738173066,"sku":"CER-KM-875-u","price":2085.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/L1009224.jpg?v=1640828754"},{"product_id":"yohen-tokaiseki-vase","title":"Yohen Tōkaiseki Vase","description":"\u003cp\u003eNatural ash glaze\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eTōkaiseki\u003c\/em\u003e is a technique of Matsuzaki’s own invention, these sculptural works are not thrown but hewn, carved and torn from hollowed blocks of clay on a potter’s wheel using a variety of tools – from knives and wooden scrapers to wire, fingers, thumbs and even fistfuls of clay itself. Developed over many years, these forms now represent a distillation of Matsuzaki’s enigmatic, tour-de-force approach to his medium.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eYohen, which translates as \u003ci\u003echanged by the fire\/flame\u003c\/i\u003e or \u003ci\u003ekiln change\u003c\/i\u003e, refers to changes that happen in the kiln during firing, causing the glaze to run. The build up of ash on the floor of the kiln and the natural glazing process that occurs because of it result in Yohen pots in deep browns, blues \u0026amp; reds.\u003c\/p\u003e\n\u003cp\u003eDuring a prolonged wood firing ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln, producing a natural ash glaze.\u003c\/p\u003e\n\u003cp\u003eAccompanied by a signed, made to measure box\u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40368743874698,"sku":"CER-KM-879-s","price":2010.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/L1009233.jpg?v=1640828776"},{"product_id":"water-container-4","title":"Water Container","description":"Shino glaze with lacquered lid.\u003cbr\u003e\u003cbr\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eShino\u003c\/em\u003e glazes were first developed in Japan during the mid-1500s. They are distinguished by their large feldspar content, minerals that lower the melting point of the glaze mixture and help bond its distinct elements. They generally range from milky whites and pinks to deep reds, oranges and greys depending on their makeup, the clay body they are applied to and and firing and can vary hugely in appearance from potter to potter. Towards the end of the 7 day wood firing charcoal is piled up around \u0026amp; over the work, preventing the pots from re-oxidising during cooling, and creating a lustre on the shinos which on occasion turns golden.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSebastian Blackie explains more about Matsuzaki's shino glazes here:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eShino is a glaze made almost entirely from the feldspar family of minerals. When they melt they form a liquid of high viscosity that continues to move with great sluggishness at much higher temperatures. Feldspars that are alkaline and low in silica typically produce a thick white glaze breaking to pink or red in the presence of iron oxide. Matsuzaki brilliantly combines layers of different feldspars which interact in firing, forming eutectics (a mix of two materials that melt at a lower temperature than either alone) at their interface, causing the materials to slide over one another to produce glaze effects of great drama and movement. White Shinos on iron-bearing clay bodies will slowly darken as they absorb the oxide. This glaze quality is rarely seen outside Japan. It is the result of seven day-long firings at relatively low stoneware temperatures; a legacy of the inefficient (in Western terms) Anagama kilns in which Shino glazes were first fired. This quality is the product of long firings but also the embodiment of a ritual where the potter is physically and emotionally stretched in the process of giving some permanence to his work.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAccompanied by a signed, made to measure box.\u003c\/p\u003e\n\u003cbr\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40368750657674,"sku":"CER-KM-884-s","price":2315.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/ken-matsuzaki_34-15.jpg?v=1640828806"},{"product_id":"yohen-vase-48","title":"Yohen Vase","description":"Natural ash glaze\u003cbr\u003e\u003cbr\u003e\n\u003cp data-mce-fragment=\"1\"\u003eYohen, which translates as \u003ci data-mce-fragment=\"1\"\u003echanged by the fire\/flame\u003c\/i\u003e or \u003ci data-mce-fragment=\"1\"\u003ekiln change\u003c\/i\u003e, refers to changes that happen in the kiln during firing, causing the glaze to run. The build up of ash on the floor of the kiln and the natural glazing process that occurs because of it result in Yohen pots in deep browns, blues \u0026amp; reds.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDuring a prolonged wood firing ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln, producing a natural ash glaze.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAccompanied by a signed, made to measure box\u003c\/p\u003e\n\u003cbr\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40368828252298,"sku":"CER-KM-863-s","price":1855.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/L1009287.jpg?v=1640829175"},{"product_id":"yohen-vase-49","title":"Yohen Vase","description":"Natural ash glaze\u003cbr\u003e\u003cbr\u003e\n\u003cp data-mce-fragment=\"1\"\u003eYohen, which translates as \u003ci data-mce-fragment=\"1\"\u003echanged by the fire\/flame\u003c\/i\u003e or \u003ci data-mce-fragment=\"1\"\u003ekiln change\u003c\/i\u003e, refers to changes that happen in the kiln during firing, causing the glaze to run. The build up of ash on the floor of the kiln and the natural glazing process that occurs because of it result in Yohen pots in deep browns, blues \u0026amp; reds.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDuring a prolonged wood firing ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln, producing a natural ash glaze.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAccompanied by a signed, made to measure box\u003c\/p\u003e\n\u003cbr\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40368831725706,"sku":"CER-KM-864-s","price":1240.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/ken-matsuzaki_14-1.jpg?v=1640829189"},{"product_id":"ken-matsuzaki-the-intangible-spirit","title":"Ken Matsuzaki - The Intangible Spirit","description":"\u003cp\u003e64 page monograph with essays.\u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40369153245322,"sku":"BK-CER-KM-2018","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/ken-matsuzaki-monograph.jpg?v=1640830924"},{"product_id":"tokaiseki-vase-2","title":"Tōkaiseki Vase","description":"\u003cp\u003eShino\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eTōkaiseki\u003c\/em\u003e is a technique of Matsuzaki’s own invention, these sculptural works are not thrown but hewn, carved and torn from hollowed blocks of clay on a potter’s wheel using a variety of tools – from knives and wooden scrapers to wire, fingers, thumbs and even fistfuls of clay itself. Developed over many years, these forms now represent a distillation of Matsuzaki’s enigmatic, tour-de-force approach to his medium.\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShino\u003c\/em\u003e glazes were first developed in Japan during the mid-1500s. They are distinguished by their large feldspar content, minerals that lower the melting point of the glaze mixture and help bond its distinct elements. They generally range from milky whites and pinks to deep reds, oranges and greys depending on their makeup, the clay body they are applied to and and firing and can vary hugely in appearance from potter to potter. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSebastian Blackie explains more about Matsuzaki's shino glazes here:\u003c\/p\u003e\n\u003cp\u003eShino is a glaze made almost entirely from the feldspar family of minerals. When they melt they form a liquid of high viscosity that continues to move with great sluggishness at much higher temperatures. Feldspars that are alkaline and low in silica typically produce a thick white glaze breaking to pink or red in the presence of iron oxide. Matsuzaki brilliantly combines layers of different feldspars which interact in firing, forming eutectics (a mix of two materials that melt at a lower temperature than either alone) at their interface, causing the materials to slide over one another to produce glaze effects of great drama and movement. White Shinos on iron-bearing clay bodies will slowly darken as they absorb the oxide. This glaze quality is rarely seen outside Japan. It is the result of seven day-long firings at relatively low stoneware temperatures; a legacy of the inefficient (in Western terms) Anagama kilns in which Shino glazes were first fired. This quality is the product of long firings but also the embodiment of a ritual where the potter is physically and emotionally stretched in the process of giving some permanence to his work.\u003c\/p\u003e\n\u003cp\u003eAccompanied by a signed, made to measure box.\u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40369172775050,"sku":"CER-KM-876-u","price":1160.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/ken-matsuzaki_26-18.jpg?v=1640830997"},{"product_id":"tokaiseki-water-container","title":"Tōkaiseki Water Container","description":"\u003cp\u003eShino\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eTōkaiseki\u003c\/em\u003e is a technique of Matsuzaki’s own invention, these sculptural works are not thrown but hewn, carved and torn from hollowed blocks of clay on a potter’s wheel using a variety of tools – from knives and wooden scrapers to wire, fingers, thumbs and even fistfuls of clay itself. Developed over many years, these forms now represent a distillation of Matsuzaki’s enigmatic, tour-de-force approach to his medium.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShino\u003c\/em\u003e glazes were first developed in Japan during the mid-1500s. They are distinguished by their large feldspar content, minerals that lower the melting point of the glaze mixture and help bond its distinct elements. They generally range from milky whites and pinks to deep reds, oranges and greys depending on their makeup, the clay body they are applied to and and firing and can vary hugely in appearance from potter to potter. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSebastian Blackie explains more about Matsuzaki's shino glazes here:\u003c\/p\u003e\n\u003cp\u003eShino is a glaze made almost entirely from the feldspar family of minerals. When they melt they form a liquid of high viscosity that continues to move with great sluggishness at much higher temperatures. Feldspars that are alkaline and low in silica typically produce a thick white glaze breaking to pink or red in the presence of iron oxide. Matsuzaki brilliantly combines layers of different feldspars which interact in firing, forming eutectics (a mix of two materials that melt at a lower temperature than either alone) at their interface, causing the materials to slide over one another to produce glaze effects of great drama and movement. White Shinos on iron-bearing clay bodies will slowly darken as they absorb the oxide. This glaze quality is rarely seen outside Japan. It is the result of seven day-long firings at relatively low stoneware temperatures; a legacy of the inefficient (in Western terms) Anagama kilns in which Shino glazes were first fired. This quality is the product of long firings but also the embodiment of a ritual where the potter is physically and emotionally stretched in the process of giving some permanence to his work.\u003c\/p\u003e\n\u003cp\u003eAccompanied by a signed, made to measure box.\u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40369178116234,"sku":"CER-KM-886-s","price":2315.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/ken-matsuzaki_36-19.jpg?v=1640831013"},{"product_id":"yohen-censer","title":"Yohen Censer","description":"\u003cp\u003eNatural ash glaze\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eTōkaiseki\u003c\/em\u003e is a technique of Matsuzaki’s own invention, these sculptural works are not thrown but hewn, carved and torn from hollowed blocks of clay on a potter’s wheel using a variety of tools – from knives and wooden scrapers to wire, fingers, thumbs and even fistfuls of clay itself. Developed over many years, these forms now represent a distillation of Matsuzaki’s enigmatic, tour-de-force approach to his medium.\u003c\/p\u003e\n\u003cp\u003eYohen, which translates as \u003ci\u003echanged by the fire\/flame\u003c\/i\u003e or \u003ci\u003ekiln change\u003c\/i\u003e, refers to changes that happen in the kiln during firing, causing the glaze to run. The build up of ash on the floor of the kiln and the natural glazing process that occurs because of it result in Yohen pots in deep browns, blues \u0026amp; reds.\u003c\/p\u003e\n\u003cp\u003eDuring a prolonged wood firing ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln, producing a natural ash glaze.\u003c\/p\u003e\n\u003cp\u003eAccompanied by a signed, made to measure box\u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40369179721866,"sku":"CER-KM-891-s","price":1160.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/ken-matsuzaki_41-18.jpg?v=1640831035"},{"product_id":"yohen-vase-52","title":"Yohen Vase","description":"Natural ash glaze shino\u003cbr\u003e\u003cbr\u003e\n\u003cp data-mce-fragment=\"1\"\u003eYohen, which translates as \u003ci data-mce-fragment=\"1\"\u003echanged by the fire\/flame\u003c\/i\u003e or \u003ci data-mce-fragment=\"1\"\u003ekiln change\u003c\/i\u003e, refers to changes that happen in the kiln during firing, causing the glaze to run. The build up of ash on the floor of the kiln and the natural glazing process that occurs because of it result in Yohen pots in deep browns, blues \u0026amp; reds.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDuring a prolonged wood firing ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln, producing a natural ash glaze.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAccompanied by a signed, made to measure box\u003c\/p\u003e\n\u003cbr\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40369270096010,"sku":"CER-KM-944-u","price":3855.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/ken-matsuzaki_94-13.jpg?v=1640831308"},{"product_id":"deep-bowl-6","title":"Deep Bowl","description":"\u003cp\u003eCombed pattern. Ash \u0026amp; Tenmoku glazes.\u003c\/p\u003e","brand":"Jim Malone","offers":[{"title":"Default Title","offer_id":40370745901194,"sku":"CER-JM-506-s","price":395.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/jim-malone_506-1.jpg?v=1640837646"},{"product_id":"platter-26","title":"Platter","description":"\u003cp\u003eBeni Shino\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShino\u003c\/em\u003e glazes were first developed in Japan during the mid-1500s. They are distinguished by their large feldspar content, minerals that lower the melting point of the glaze mixture and help bond its distinct elements. They generally range from milky whites and pinks to deep reds, oranges and greys depending on their makeup, the clay body they are applied to and and firing and can vary hugely in appearance from potter to potter. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSebastian Blackie explains more about Matsuzaki's shino glazes here:\u003c\/p\u003e\n\u003cp\u003eShino is a glaze made almost entirely from the feldspar family of minerals. When they melt they form a liquid of high viscosity that continues to move with great sluggishness at much higher temperatures. Feldspars that are alkaline and low in silica typically produce a thick white glaze breaking to pink or red in the presence of iron oxide. Matsuzaki brilliantly combines layers of different feldspars which interact in firing, forming eutectics (a mix of two materials that melt at a lower temperature than either alone) at their interface, causing the materials to slide over one another to produce glaze effects of great drama and movement. White Shinos on iron-bearing clay bodies will slowly darken as they absorb the oxide. This glaze quality is rarely seen outside Japan. It is the result of seven day-long firings at relatively low stoneware temperatures; a legacy of the inefficient (in Western terms) Anagama kilns in which Shino glazes were first fired. This quality is the product of long firings but also the embodiment of a ritual where the potter is physically and emotionally stretched in the process of giving some permanence to his work.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40370984190090,"sku":"CER-KM-948-s","price":8490.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/ken-matsuzaki_948-1.jpg?v=1640837931"},{"product_id":"footed-bottle-30","title":"Footed Bottle","description":"\u003cp\u003eSquared. White slip. Iron \u0026amp; cobalt willow design\u003c\/p\u003e","brand":"Jim Malone","offers":[{"title":"Default Title","offer_id":40371017580682,"sku":"CER-JM-610-s","price":675.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/jim-malone_610-1.jpg?v=1640838099"},{"product_id":"pedestal-jar-4","title":"Pedestal Jar","description":"\u003cp\u003eTextured.\u003c\/p\u003e","brand":"Warren MacKenzie","offers":[{"title":"Default Title","offer_id":40371302006922,"sku":"CER-WM-109-s","price":550.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/warren-mackenzie_109-1.jpg?v=1640839512"},{"product_id":"tall-jug-36","title":"Tall Jug","description":"\u003cp\u003eCombed. Tenmoku\u003c\/p\u003e","brand":"Jim Malone","offers":[{"title":"Default Title","offer_id":40371995803786,"sku":"CER-JM-514-s","price":440.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/jim-malone_514-1.jpg?v=1640841214"}],"url":"https:\/\/www.goldmarkart.com\/collections\/all-potters-m.oembed?page=11","provider":"Goldmark","version":"1.0","type":"link"}