{"title":"Rembrandt, Ikebana \u0026 Gallery News | GTV","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWatch this week’s show to find out what’s going on at Goldmark. Learn about the ancient Japanese art of Ikebana with Rie Day and Rembrandt’s exquisite etchings printed from the original plates. Enjoy tea ceremony ware by Ken Matsuzaki and a painting by gallery favourite Andrzej Kuhn. And hear about our forthcoming exhibition featuring paintings by young gallery artist Oliver Bancroft.\u003c\/span\u003e","products":[{"product_id":"old-bearded-man-in-a-high-fur-cap","title":"Old Bearded Man in a High Fur Cap","description":"\u003cp\u003eFrom the original plates. H.L. 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The states: I: The space between Joseph's arm and the woman's face is shaded with open lines, nearly horizontal. Signed and dated Rembrandt 1638. II: Shading of this space is burnished out. The face of the man in the turban directly behind Joseph is unshaded, as also is the fold of the curtain behind him are fully shaded. IV: The space between Joseph's left arm and the woman's face now covered with fine cross hatching. 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The small space\u003c\/p\u003e","brand":"Rembrandt","offers":[{"title":"Default Title","offer_id":40348717023370,"sku":"RVR-41-G-sp","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/rembrandt-the-angel-departing-from-tobit_s-family.jpg?v=1640689035"},{"product_id":"jan-uytenbogaert-armenian-preacher","title":"Jan Uytenbogaert, Armenian Preacher","description":"\u003cp\u003eState:VI. The states: I:Plate rectangular 250 x 187 mm. Collar shaded only lightly. II: Shading of collar completed. III: Plate cut down to an octagon 224 x 187 mm, slightly irregular at the sides. Outline of oval on the right side not continuous. Four Latin verses by Hugo Grotius added. Signed and dated Rembrandt.IV: Oval now made continuousV: Two irregular corners (bottom left and right side) made even.VI: Much rework with fine close shading. 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The build up of ash on the floor of the kiln and the natural glazing process that occurs because of it result in Yohen pots in deep browns, blues \u0026amp; reds.  \n\u003cbr\u003e\u003cbr\u003e\n\nJapan’s first white glaze, Shino is a mix of ground feldspar \u0026amp; clay.\u003cbr\u003e\nIt varies in colour from a thick snowy white through to grey, pink, and orange. A distinctive characteristic of Shino is small pinholes in the surface of the glaze, particularly favoured by tea masters. When applied thinly on iron rich clay bodies the pristine white can turn red as it absorbs the iron oxide. Developed during the Momoyama period (1568–1600), the glaze fell out of favour in the early 18th century when Oribe glaze became more popular. It wasn't until the 20th century that Shino regained its popularity. \n\u003cbr\u003e\u003cbr\u003e\nAccompanied by a signed, made to measure box","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40349870030986,"sku":"CER-KM-305-u","price":1650.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Ken-Matsuzaki_305-1.jpg?v=1640694190"},{"product_id":"yohen-square-vase","title":"Yohen Square Vase","description":"\u003cp\u003eTetsu and natural ash glaze.\u003c\/p\u003e\n\u003cp\u003eYohen, which translates as \u003ci\u003echanged by the fire\/flame\u003c\/i\u003e or \u003ci\u003ekiln change\u003c\/i\u003e, refers to changes that happen in the kiln during firing, causing the glaze to run. 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