{"title":"Summer Goldmark Exhibition News","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJoin us for a quick round-up from the gallery, with a look towards all of our exhibitions over the summer and a flick through our latest summer magazine. We're looking forward to exhibitions from 2 gallery artists, veteran abstract painter Graham Boyd (b1928) and young painter and filmmaker Oliver Bancroft. Also, 2 ceramics exhibitions from exciting leading Japanese potters, Ken Matsuzaki and Koichiro Isezaki.\u003c\/span\u003e","products":[{"product_id":"yohen-vase-1","title":"Yohen Vase","description":"\u003cp\u003eNatural ash glaze.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eYohen, which translates as \u003cem data-mce-fragment=\"1\"\u003echanged by the fire\/flame\u003c\/em\u003e or \u003cem data-mce-fragment=\"1\"\u003ekiln change\u003c\/em\u003e, refers to changes that happen in the kiln during firing, causing the glaze to run. The build up of ash on the floor of the kiln and the natural glazing process that occurs because of it result in Yohen pots in deep browns, blues \u0026amp; reds.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePotters who wood-fire rely on the source of ash from their wood fuel for a 'natural ash' glazing. 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It wasn't until the 20th century that Shino regained its popularity. \n\u003cbr\u003e\u003cbr\u003e\nAccompanied by a signed, made to measure box","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40349870030986,"sku":"CER-KM-305-u","price":1650.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Ken-Matsuzaki_305-1.jpg?v=1640694190"},{"product_id":"yohen-square-vase","title":"Yohen Square Vase","description":"\u003cp\u003eTetsu and natural ash glaze.\u003c\/p\u003e\n\u003cp\u003eYohen, which translates as \u003ci\u003echanged by the fire\/flame\u003c\/i\u003e or \u003ci\u003ekiln change\u003c\/i\u003e, refers to changes that happen in the kiln during firing, causing the glaze to run. 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Ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln.\u003c\/p\u003e\n\u003cp\u003eAccompanied by a signed, made to measure box.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40349872619658,"sku":"CER-KM-309-s","price":1500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Ken-Matsuzaki_309-2.jpg?v=1640694215"},{"product_id":"square-vase","title":"Square Vase","description":"\u003cp\u003eKiseto\u003c\/p\u003e\n\u003cp\u003eOriginating in the late 16th century, Ki-seto (Yellow Seto) is part of the Mino family of ceramics, produced in the Seto \u0026amp; Mino areas. 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The build up of ash on the floor of the kiln and the natural glazing process that occurs because of it result in Yohen pots in deep browns, blues \u0026amp; reds.\u003c\/p\u003e\n\u003cp\u003ePotters who wood-fire rely on the source of ash from their wood fuel for a 'natural ash' glazing. Ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln.\u003c\/p\u003e\n\u003cp\u003eAccompanied by a signed, made to measure box.\u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40353136017546,"sku":"CER-KM-422-s","price":1800.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Ken-Matsuzaki_422-1.jpg?v=1640715144"},{"product_id":"yohen-vase-15","title":"Yohen Vase","description":"","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40353136705674,"sku":"CER-KM-423-s","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/ken-matsuzaki_423-1.jpg?v=1640715162"},{"product_id":"vase-11","title":"Vase","description":"\u003cp\u003eTetsu Shino\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShino\u003c\/em\u003e glazes were first developed in Japan during the mid-1500s. They are distinguished by their large feldspar content, minerals that lower the melting point of the glaze mixture and help bond its distinct elements. They generally range from milky whites and pinks to deep reds, oranges and greys depending on their makeup, the clay body they are applied to and and firing and can vary hugely in appearance from potter to potter. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSebastian Blackie explains more about Matsuzaki's shino glazes here:\u003c\/p\u003e\n\u003cp\u003eShino is a glaze made almost entirely from the feldspar family of minerals. When they melt they form a liquid of high viscosity that continues to move with great sluggishness at much higher temperatures. Feldspars that are alkaline and low in silica typically produce a thick white glaze breaking to pink or red in the presence of iron oxide. Matsuzaki brilliantly combines layers of different feldspars which interact in firing, forming eutectics (a mix of two materials that melt at a lower temperature than either alone) at their interface, causing the materials to slide over one another to produce glaze effects of great drama and movement. White Shinos on iron-bearing clay bodies will slowly darken as they absorb the oxide. This glaze quality is rarely seen outside Japan. It is the result of seven day-long firings at relatively low stoneware temperatures; a legacy of the inefficient (in Western terms) Anagama kilns in which Shino glazes were first fired. This quality is the product of long firings but also the embodiment of a ritual where the potter is physically and emotionally stretched in the process of giving some permanence to his work.\u003c\/p\u003e\n\u003cp\u003eAccompanied by a signed, made to measure box.\u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40353140375690,"sku":"CER-KM-429-s","price":1100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Ken-Matsuzaki_429-1.jpg?v=1640715186"},{"product_id":"vase-12","title":"Vase","description":"","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40353143423114,"sku":"CER-KM-433-s","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/ken-matsuzaki_433-1.jpg?v=1640715206"},{"product_id":"vase-13","title":"Vase","description":"\u003cp\u003eOribe\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDating back to the 16th century, \u003cem data-mce-fragment=\"1\"\u003eOribe\u003c\/em\u003e ware pottery is rarely found outside of Japanese ceramics. 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