{"title":"Wood-Fired Ceramics","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThere can be no denying it: there’s something about wood-firing that produces special pots. But what is it about the wood-fired aesthetic (if there even is one) that captivates? Where does our appreciation for it begin? And, perhaps most important of all: is it still relevant today? Is the wood-fired aesthetic right for our age? \u003ca href=\"\/blogs\/discover\/fire-wood-clay\" title=\"Fire wood and clay\"\u003eRead more \u0026gt;\u003c\/a\u003e\u003c\/span\u003e","products":[{"product_id":"yohen-vase-1","title":"Yohen Vase","description":"\u003cp\u003eNatural ash glaze.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eYohen, which translates as \u003cem data-mce-fragment=\"1\"\u003echanged by the fire\/flame\u003c\/em\u003e or \u003cem data-mce-fragment=\"1\"\u003ekiln change\u003c\/em\u003e, refers to changes that happen in the kiln during firing, causing the glaze to run. The build up of ash on the floor of the kiln and the natural glazing process that occurs because of it result in Yohen pots in deep browns, blues \u0026amp; reds.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePotters who wood-fire rely on the source of ash from their wood fuel for a 'natural ash' glazing. Ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAccompanied by a signed, made to measure box.\u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40349861838986,"sku":"CER-KM-273-s","price":2950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Ken-Matsuzaki_273-2.jpg?v=1640694090"},{"product_id":"yohen-inlaid-vase","title":"Yohen Inlaid Vase","description":"\u003cp\u003eNatural ash glaze \u003c\/p\u003e\n\u003cp\u003eAccompanied by a signed, made to measure box. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40349864558730,"sku":"CER-KM-274-s","price":2950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/files\/ken-matsuzaki-2026-274-2.jpg?v=1778058231"},{"product_id":"yohen-vase-5","title":"Yohen Vase","description":"Natural ash glaze \u0026amp; shino\u003cbr\u003e\u003cbr\u003e\nYohen, which translates as \u003ci\u003echanged by the fire\/flame\u003c\/i\u003e or \u003ci\u003ekiln change\u003c\/i\u003e, refers to changes that happen in the kiln during firing, causing the glaze to run. The build up of ash on the floor of the kiln and the natural glazing process that occurs because of it result in Yohen pots in deep browns, blues \u0026amp; reds.  \n\u003cbr\u003e\u003cbr\u003e\n\nJapan’s first white glaze, Shino is a mix of ground feldspar \u0026amp; clay.\u003cbr\u003e\nIt varies in colour from a thick snowy white through to grey, pink, and orange. A distinctive characteristic of Shino is small pinholes in the surface of the glaze, particularly favoured by tea masters. When applied thinly on iron rich clay bodies the pristine white can turn red as it absorbs the iron oxide. Developed during the Momoyama period (1568–1600), the glaze fell out of favour in the early 18th century when Oribe glaze became more popular. It wasn't until the 20th century that Shino regained its popularity. \n\u003cbr\u003e\u003cbr\u003e\nAccompanied by a signed, made to measure box","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40349870030986,"sku":"CER-KM-305-u","price":1650.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Ken-Matsuzaki_305-1.jpg?v=1640694190"},{"product_id":"yohen-square-vase","title":"Yohen Square Vase","description":"\u003cp\u003eTetsu and natural ash glaze.\u003c\/p\u003e\n\u003cp\u003eYohen, which translates as \u003ci\u003echanged by the fire\/flame\u003c\/i\u003e or \u003ci\u003ekiln change\u003c\/i\u003e, refers to changes that happen in the kiln during firing, causing the glaze to run. The build up of ash on the floor of the kiln and the natural glazing process that occurs because of it result in Yohen pots in deep browns, blues \u0026amp; reds.\u003c\/p\u003e\n\u003cp\u003ePotters who wood-fire rely on the source of ash from their wood fuel for a 'natural ash' glazing. Ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln.\u003c\/p\u003e\n\u003cp\u003eAccompanied by a signed, made to measure box.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40349872619658,"sku":"CER-KM-309-s","price":1500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Ken-Matsuzaki_309-2.jpg?v=1640694215"},{"product_id":"square-vase","title":"Square Vase","description":"\u003cp\u003eKiseto\u003c\/p\u003e\n\u003cp\u003eOriginating in the late 16th century, Ki-seto (Yellow Seto) is part of the Mino family of ceramics, produced in the Seto \u0026amp; Mino areas. The four styles of Mino wares - \u003cem\u003eShino, Oribe, Setoguro \u0026amp; Ki-seto\u003c\/em\u003e, are often used to produce wares for the Tea Ceremony.\u003c\/p\u003e\n\u003cp\u003eThe green copper splashes are known as \u003cem\u003eTanpan\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eAccompanied by a signed, made to measure box.\u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40349875536010,"sku":"CER-KM-310-s","price":1400.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Ken-Matsuzaki_310-1.jpg?v=1640694236"},{"product_id":"vase","title":"Vase","description":"\u003cp data-mce-fragment=\"1\"\u003eMeeth clay with applied texture. Natural ash glaze, rich iron red and blue ember reduction colour.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNatural ash glaze occurs in a wood fired kiln when ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFired for 4 days in Nic’s Anagama kiln to temperatures in excess of 1300 ˚\u003c\/p\u003e","brand":"Nic Collins","offers":[{"title":"Default Title","offer_id":40349891231882,"sku":"CER-NC-6-s","price":2450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/nic-collins_6-5.jpg?v=1640694320"},{"product_id":"jar-with-lugs-2","title":"Jar with Lugs","description":"Unglazed, very heavy ashing","brand":"Svend Bayer","offers":[{"title":"Default Title","offer_id":40352288505994,"sku":"CER-SB-622-u","price":3750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/files\/svendbayer622ext1.jpg?v=1691763680"},{"product_id":"round-bottomed-jar","title":"Round Bottomed Jar","description":"Unglazed, very heavy ashing. Woven wicker stand.\u003cbr\u003e","brand":"Svend Bayer","offers":[{"title":"Default Title","offer_id":40352306462858,"sku":"CER-SB-631-u","price":1450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/svend-bayer_631-1_1.jpg?v=1640710448"},{"product_id":"yohen-vase-7","title":"Yohen Vase","description":"Natural ash glaze\u003cbr\u003e\u003cbr\u003eAccompanied by a signed, made to measure box","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40352684441738,"sku":"CER-KM-403-u","price":3650.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Ken-Matsuzaki_403-1.jpg?v=1640712162"},{"product_id":"yohen-vase-12","title":"Yohen Vase","description":"Natural ash glaze\u003cbr\u003e\u003cbr\u003e\nYohen, which translates as \u003ci\u003echanged by the fire\/flame\u003c\/i\u003e or \u003ci\u003ekiln change\u003c\/i\u003e, refers to changes that happen in the kiln during firing, causing the glaze to run. The build up of ash on the floor of the kiln and the natural glazing process that occurs because of it result in Yohen pots in deep browns, blues \u0026amp; reds.  \n\u003cbr\u003e\u003cbr\u003e\n\nAccompanied by a signed, made to measure box","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40353130021002,"sku":"CER-KM-408-s","price":2950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Ken-Matsuzaki_408-1.jpg?v=1640715080"},{"product_id":"yohen-vase-14","title":"Yohen Vase","description":"\u003cp\u003eNatural ash glaze.\u003c\/p\u003e\n\u003cp\u003eYohen, which translates as \u003ci\u003echanged by the fire\/flame\u003c\/i\u003e or \u003ci\u003ekiln change\u003c\/i\u003e, refers to changes that happen in the kiln during firing, causing the glaze to run. The build up of ash on the floor of the kiln and the natural glazing process that occurs because of it result in Yohen pots in deep browns, blues \u0026amp; reds.\u003c\/p\u003e\n\u003cp\u003ePotters who wood-fire rely on the source of ash from their wood fuel for a 'natural ash' glazing. Ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln.\u003c\/p\u003e\n\u003cp\u003eAccompanied by a signed, made to measure box.\u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40353136017546,"sku":"CER-KM-422-s","price":1800.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Ken-Matsuzaki_422-1.jpg?v=1640715144"},{"product_id":"yohen-rectangular-vase-1","title":"Yohen Rectangular Vase","description":"\u003cp\u003eNatural ash glaze\u003c\/p\u003e\n\u003cp\u003eAccompanied by a signed, made to measure box. \u003c\/p\u003e","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40353456128138,"sku":"CER-KM-98-u","price":1800.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Ken-Matsuzaki_98-1.jpg?v=1640718422"},{"product_id":"anne-mette-hjortshoj-paying-honest-attention","title":"Anne Mette Hjortshøj - Paying Honest Attention","description":"","brand":"Anne Mette Hjortshøj","offers":[{"title":"Default Title","offer_id":40353974616202,"sku":"DVD-CER-AMH-1","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/hjortshoj_dvd_sleeve-2_2.jpg?v=1640723450"},{"product_id":"bottle-20","title":"Bottle","description":"\u003cp data-mce-fragment=\"1\"\u003eNatural ash glaze \u0026amp; shell scars.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNatural ash glaze occurs in a wood fired kiln when ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFired for 4 days in Nic’s Anagama kiln to temperatures in excess of 1300 ˚\u003c\/p\u003e","brand":"Nic Collins","offers":[{"title":"Default Title","offer_id":40355055960202,"sku":"CER-NC-276-u","price":175.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/nic-collins_276-45.jpg?v=1640731860"},{"product_id":"large-jar-with-handles","title":"Large Jar with Handles","description":"\u003cp\u003eAsh glaze.\u003cbr\u003e\u003cbr\u003e Glazes made with ash have been used for over 3000 years. Most commonly the ash used comes from burnt wood logs, with different tree species offering subtle variations of colours from dark browns and olives through to lighter pale greens. \u003cbr\u003e\u003cbr\u003e After being cleaned of harmful chemicals the wood ash is mixed with water and other materials to form a glaze mixture to be applied to pots before firing. This glaze mixture then melts under the heat of the kiln, combining with silica – an oxide found naturally in sand and quartz – in the clay to form a glassy surface on the pot. \u003cbr\u003e\u003cbr\u003e Potters who wood-fire can also rely on the source of ash from their wood fuel for a ‘natural ash’ glazing. Ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln.\u003c\/p\u003e\n\u003cp\u003ePlease contact us for delivery costs and further information as this piece will require specialist packing for international delivery.\u003c\/p\u003e","brand":"Nic Collins","offers":[{"title":"Default Title","offer_id":40355801497738,"sku":"CER-NC-307-u","price":3500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/nic-collins_3-1_1.jpg?v=1640741559"},{"product_id":"vase-41","title":"Vase","description":"\u003cp\u003eKiseto\u003c\/p\u003e","brand":"Ryotaro Kato","offers":[{"title":"Default Title","offer_id":40356487037066,"sku":"CER-J-RK-21-s","price":1895.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/files\/ryotaro-kato-2023-21-1.jpg?v=1685358590"},{"product_id":"tall-bell-shaped-bottle","title":"Tall Bell Shaped Bottle","description":"\u003cp\u003eBlack\u003c\/p\u003e","brand":"Clive Bowen","offers":[{"title":"Default Title","offer_id":40357166186634,"sku":"CER-CB-742-u","price":495.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/clive-bowen_742-1.jpg?v=1640752484"},{"product_id":"small-bell-shaped-bottle-1","title":"Small Bell Shaped Bottle","description":"\u003cp\u003eBlack\u003c\/p\u003e","brand":"Clive Bowen","offers":[{"title":"Default Title","offer_id":40357168480394,"sku":"CER-CB-748-u","price":450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/clive-bowen_748-1.jpg?v=1640752516"},{"product_id":"small-bell-shaped-bottle-2","title":"Small Bell Shaped Bottle","description":"Honeyed gold\u003cbr\u003e","brand":"Clive Bowen","offers":[{"title":"Default Title","offer_id":40357263638666,"sku":"CER-CB-749-u","price":450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/clive-bowen_749-1.jpg?v=1640753161"},{"product_id":"large-lidded-jar-7","title":"Large Lidded Jar","description":"\u003cp\u003eShino \u0026amp; natural ash glaze\u003cbr\u003e\u003cbr\u003e Natural ash glaze occurs in a wood fired kiln when ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln.\u003cbr\u003e\u003cbr\u003e Shino glazes were first developed in Japan during the mid-1500s. They are distinguished by their large feldspar content, minerals that lower the melting point of the glaze mixture and help bond its distinct elements. They generally range from milky whites and pinks to deep reds, oranges and greys depending on their makeup and firing and can vary hugely in appearance from potter to potter.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFired for 4 days in Nic’s Anagama kiln to temperatures in excess of 1300 ˚\u003c\/p\u003e","brand":"Nic Collins","offers":[{"title":"Default Title","offer_id":40359031242890,"sku":"CER-NC-365-s","price":450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Nic-Collins_365-1.jpg?v=1640764369"},{"product_id":"jar-with-lugs-6","title":"Jar with Lugs","description":"\u003cp\u003eGold with crocodile effect slip\u003c\/p\u003e","brand":"Clive Bowen","offers":[{"title":"Default Title","offer_id":40359316127882,"sku":"CER-CB-741-u","price":595.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/clive-bowen_741-15.jpg?v=1640765963"},{"product_id":"yohen-water-container-4","title":"Yohen Water Container","description":"Natural ash glaze\u003cbr\u003e\u003cbr\u003e\n\nThe water container or \u003ci\u003eMizusashi\u003c\/i\u003e, is used to hold the fresh water during the Japanese Tea Ceremony. \n\u003cbr\u003e\u003cbr\u003e\nYohen, which translates as \u003ci\u003echanged by the fire\/flame\u003c\/i\u003e or \u003ci\u003ekiln change\u003c\/i\u003e, refers to changes that happen in the kiln during firing, causing the glaze to run. The build up of ash on the floor of the kiln and the natural glazing process that occurs because of it result in Yohen pots in deep browns, blues \u0026amp; reds.  \n\u003cbr\u003e\u003cbr\u003e\n\n\nAccompanied by a signed, made to measure box","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40359985971338,"sku":"CER-KM-654-u","price":2100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/ken-matsuzaki_654-1_1.jpg?v=1640771028"},{"product_id":"yohen-vase-30","title":"Yohen Vase","description":"Natural ash glaze\u003cbr\u003e\u003cbr\u003e\n\n\nYohen, which translates as \u003ci\u003echanged by the fire\/flame\u003c\/i\u003e or \u003ci\u003ekiln change\u003c\/i\u003e, refers to changes that happen in the kiln during firing, causing the glaze to run. The build up of ash on the floor of the kiln and the natural glazing process that occurs because of it result in Yohen pots in deep browns, blues \u0026amp; reds.  \n\u003cbr\u003e\u003cbr\u003e\n\nAccompanied by a signed, made to measure box","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40360002158730,"sku":"CER-KM-736-s","price":1750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/ken-matsuzaki_13-5_1.jpg?v=1640771069"},{"product_id":"vase-74","title":"Vase","description":"Mashiko Karatsu\u003cbr\u003e\u003cbr\u003e\n\n\nThe Karatsu technique is believed to have originated in Korea. \u003cbr\u003eKaratsu ware is made from a clay with a high iron content. Images of flowers, plants, birds or mythological creatures may be be painted onto the pots using an iron-based underglaze. The work is then fired with a semi-transparent grey glaze which allows the underglaze to show.\n\u003cbr\u003e\u003cbr\u003e\n\nAccompanied by a signed, made to measure box","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40360019525770,"sku":"CER-KM-756-s","price":770.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/ken-matsuzaki_33-3.jpg?v=1640771114"},{"product_id":"yohen-vase-37","title":"Yohen Vase","description":"Natural ash glaze\u003cbr\u003e\u003cbr\u003e\n\n\nYohen, which translates as \u003ci\u003echanged by the fire\/flame\u003c\/i\u003e or \u003ci\u003ekiln change\u003c\/i\u003e, refers to changes that happen in the kiln during firing, causing the glaze to run. The build up of ash on the floor of the kiln and the natural glazing process that occurs because of it result in Yohen pots in deep browns, blues \u0026amp; reds.  \n\u003cbr\u003e\u003cbr\u003e\nAccompanied by a signed, made to measure box","brand":"Ken Matsuzaki","offers":[{"title":"Default Title","offer_id":40360323186826,"sku":"CER-KM-737-s","price":1200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/ken-matsuzaki_14-1_1.jpg?v=1640772086"},{"product_id":"lidded-jar-66","title":"Lidded Jar","description":"\u003cp\u003eNatural ash glaze.\u003cbr\u003e\u003cbr\u003e Natural ash glaze occurs in a wood fired kiln when ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFired for 4 days in Nic’s Anagama kiln to temperatures in excess of 1300 ˚\u003c\/p\u003e","brand":"Nic Collins","offers":[{"title":"Default Title","offer_id":40365062488202,"sku":"CER-NC-796-s","price":350.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/nic-collins_796-1.jpg?v=1640799847"},{"product_id":"large-pot-2","title":"Large Pot","description":"\u003cp\u003eNatural ash glaze\u003cbr\u003e\u003cbr\u003e Natural ash glaze occurs in a wood fired kiln when ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln.\u003c\/p\u003e\n\u003cp\u003eAccompanied by a made to measure box.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"variant-sku\"\u003eShikamaru Takeshita is one of 5 potters selected by Ken Matsuzaki \u0026amp; the committee of the Mashiko Pottery International Association to take part in a collaborative exhibition with Goldmark Gallery.\u003c\/span\u003e\u003c\/p\u003e","brand":"Shikamaru Takeshita","offers":[{"title":"Default Title","offer_id":40366136230026,"sku":"CER-JMP-ST-5-s","price":3980.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/shikamaru-takeshita_5-1.jpg?v=1640806885"},{"product_id":"vase-124","title":"Vase","description":"\u003cp\u003eNanban Ware. Tanegashima style\u003cbr\u003e\u003cbr\u003e Nanban (meaning foreign) ware came to Japan from parts of southern Asia. The oldest example of this style of pottery arrived in Japan in the 16th Century. 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Tanegashima style \u003cbr\u003e\u003cbr\u003e Nanban (meaning foreign) ware came to Japan from parts of southern Asia. The oldest example of this style of pottery arrived in Japan in the 16th Century. 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Tanegashima style \u003cbr\u003e\u003cbr\u003e Nanban (meaning foreign) ware came to Japan from parts of southern Asia. The oldest example of this style of pottery arrived in Japan in the 16th Century. 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Tanegashima style \u003cbr\u003e\u003cbr\u003e Nanban (meaning foreign) ware came to Japan from parts of southern Asia. The oldest example of this style of pottery arrived in Japan in the 16th Century. The pots are woodfired to mid range temperatures in a reduction atmosphere, and characterised by rough surfaces, iron rich clay bodies and an absence of heavy ashing.\u003c\/p\u003e\n\u003cp\u003eAccompanied by a made to measure box.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"variant-sku\"\u003eShikamaru Takeshita is one of 5 potters selected by Ken Matsuzaki \u0026amp; the committee of the Mashiko Pottery International Association to take part in a collaborative exhibition with Goldmark Gallery.\u003c\/span\u003e\u003c\/p\u003e","brand":"Shikamaru Takeshita","offers":[{"title":"Default Title","offer_id":40366453063818,"sku":"CER-JMP-ST-19-s","price":505.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/shikamaru_20takeshita_2019-1.jpg?v=1640808154"},{"product_id":"vase-141","title":"Vase","description":"\u003cp\u003eNanban Ware. Tanegashima style \u003cbr\u003e\u003cbr\u003e Nanban (meaning foreign) ware came to Japan from parts of southern Asia. The oldest example of this style of pottery arrived in Japan in the 16th Century. The pots are woodfired to mid range temperatures in a reduction atmosphere, and characterised by rough surfaces, iron rich clay bodies and an absence of heavy ashing.\u003c\/p\u003e\n\u003cp\u003eAccompanied by a made to measure box.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"variant-sku\"\u003eShikamaru Takeshita is one of 5 potters selected by Ken Matsuzaki \u0026amp; the committee of the Mashiko Pottery International Association to take part in a collaborative exhibition with Goldmark Gallery.\u003c\/span\u003e\u003c\/p\u003e","brand":"Shikamaru Takeshita","offers":[{"title":"Default Title","offer_id":40366468268170,"sku":"CER-JMP-ST-20-s","price":395.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/shikamaru_20takeshita_2020-1.jpg?v=1640808175"},{"product_id":"square-plate-10","title":"Square Plate","description":"\u003cp\u003eNanban Ware. Tanegashima style\u003cbr\u003e\u003cbr\u003e Nanban (meaning foreign) ware came to Japan from parts of southern Asia. The oldest example of this style of pottery arrived in Japan in the 16th Century. The pots are woodfired to mid range temperatures in a reduction atmosphere, and characterised by rough surfaces, iron rich clay bodies and an absence of heavy ashing.\u003c\/p\u003e\n\u003cp\u003eAccompanied by a made to measure box.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"variant-sku\"\u003eShikamaru Takeshita is one of 5 potters selected by Ken Matsuzaki \u0026amp; the committee of the Mashiko Pottery International Association to take part in a collaborative exhibition with Goldmark Gallery.\u003c\/span\u003e\u003c\/p\u003e","brand":"Shikamaru Takeshita","offers":[{"title":"Default Title","offer_id":40366566768778,"sku":"CER-JMP-ST-23-s","price":395.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/shikamaru-takeshita_23-1.jpg?v=1640808510"},{"product_id":"large-jar-24","title":"Large Jar","description":"Applied texture. Shino glaze with natural ash. Firing cones attached \u003cbr\u003e\u003cbr\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNatural ash glaze occurs in a wood fired kiln when ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Shino glazes were first developed in Japan during the mid-1500s. They are distinguished by their large feldspar content, minerals that lower the melting point of the glaze mixture and help bond its distinct elements. They generally range from milky whites and pinks to deep reds, oranges and greys depending on their makeup and firing and can vary hugely in appearance from potter to potter.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFired for 4 days in Nic’s Anagama kiln to temperatures in excess of 1300 ˚\u003c\/p\u003e\n\u003cbr\u003e","brand":"Nic Collins","offers":[{"title":"Default Title","offer_id":40366658289802,"sku":"CER-NC-838-s","price":1400.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/nic-collins_18-1.jpg?v=1640808959"},{"product_id":"lugged-jar","title":"Lugged Jar","description":"\u003cp\u003eHeavy natural ash with blue grey reduction.\u003cbr\u003e\u003cbr\u003e Natural ash glaze occurs in a wood fired kiln when ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFired for 4 days in Nic’s Anagama kiln to temperatures in excess of 1300 ˚\u003c\/p\u003e","brand":"Nic Collins","offers":[{"title":"Default Title","offer_id":40366811152522,"sku":"CER-NC-841-u","price":850.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/nic-collins_21-1.jpg?v=1640810133"},{"product_id":"large-round-jug-4","title":"Large Devon Jug","description":"\u003cp\u003eCeladon glaze \u0026amp; natural ash glaze\u003cbr\u003e\u003cbr\u003e Natural ash glaze occurs in a wood fired kiln when ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFired for 4 days in Nic’s Anagama kiln to temperatures in excess of 1300 ˚\u003c\/p\u003e","brand":"Nic Collins","offers":[{"title":"Default Title","offer_id":40366814920842,"sku":"CER-NC-851-s","price":495.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/nic-collins_31-15.jpg?v=1640810160"},{"product_id":"small-round-jug-1","title":"Small Devon Jug","description":"\u003cp\u003eCeladon with natural ash glaze. \u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNatural ash glaze occurs in a wood fired kiln when ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFired for 4 days in Nic’s Anagama kiln to temperatures in excess of 1300 ˚\u003c\/p\u003e","brand":"Nic Collins","offers":[{"title":"Default Title","offer_id":40366815576202,"sku":"CER-NC-858-s","price":195.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/nic-collins_38-1.jpg?v=1640810173"},{"product_id":"large-jar-27","title":"Large Jar","description":"\u003cp\u003eSide stacked, scallop shell scars. Natural ash glaze.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNatural ash glaze occurs in a wood fired kiln when ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln.\u003cbr\u003e\u003cbr\u003e Scallop shells are used during firings to prevent pots sticking to the kiln and to each other. Burning away during the firing they leave behind fossil like scars. This pot was laid face down on top of the shells during firing. The fly ash settled on the exposed surface (what is now the 'back' of the pot), melting to form a natural ash glaze which upon cooling hardened into glassy rivulets .\u003c\/p\u003e\nFired for 4 days in Nic’s Anagama kiln to temperatures in excess of 1300 ˚\n\u003cp\u003e\u003cbr\u003ePlease contact us for delivery costs and further information as this piece will require specialist packing for international delivery.\u003cbr\u003e\u003c\/p\u003e","brand":"Nic Collins","offers":[{"title":"Default Title","offer_id":40366911815818,"sku":"CER-NC-824-s","price":3750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/nic-collins_4-1.jpg?v=1640810956"},{"product_id":"vase-155","title":"Vase","description":"\u003cp data-mce-fragment=\"1\"\u003eShino glaze.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eShino glazes were first developed in Japan during the mid-1500s. They are distinguished by their large feldspar content, minerals that lower the melting point of the glaze mixture and help bond its distinct elements. They generally range from milky whites and pinks to deep reds, oranges and greys depending on their makeup and firing and can vary hugely in appearance from potter to potter.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFired for 4 days in Nic’s Anagama kiln to temperatures in excess of 1300 ˚\u003c\/p\u003e","brand":"Nic Collins","offers":[{"title":"Default Title","offer_id":40366997733514,"sku":"CER-NC-906-s","price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/nic-collins_86-1.jpg?v=1640811710"},{"product_id":"bottle-vase-26","title":"Bottle Vase","description":"\u003cp\u003eNatural ash glaze. Red \u0026amp; grey reduction colours.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNatural ash glaze occurs in a wood fired kiln when ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Fired for 4 days in Nic’s Anagama kiln to temperatures in excess of 1300 ˚\u003c\/p\u003e","brand":"Nic Collins","offers":[{"title":"Default Title","offer_id":40367973105802,"sku":"CER-NC-362-s","price":395.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Nic-collins_362-1.jpg?v=1640821213"},{"product_id":"large-jar-29","title":"Large Jar","description":"\u003cp\u003eShino with natural ash. Scallop shell. \u003cbr\u003e\u003cbr\u003e Shino glazes were first developed in Japan during the mid-1500s. They are distinguished by their large feldspar content, minerals that lower the melting point of the glaze mixture and help bond its distinct elements. They generally range from milky whites and pinks to deep reds, oranges and greys depending on their makeup and firing and can vary hugely in appearance from potter to potter. Of particular interest in Shino wares is the phenomenon of ‘carbon trapping’, where carbon is caught within the glaze during the firing, creating bubble-like spots or dark grey patches on the surface of the pot. Though it is sometimes described as a glaze defect, this blushing effect can be especially attractive and is often sought after by potters. \u003cbr\u003e\u003cbr\u003e Natural ash glaze occurs in a wood fired kiln when ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFired for 4 days in Nic’s Anagama kiln to temperatures in excess of 1300 ˚\u003c\/p\u003e","brand":"Nic Collins","offers":[{"title":"Default Title","offer_id":40367974580362,"sku":"CER-NC-828-s","price":850.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/5597\/3514\/products\/Nic-collins_828-1.jpg?v=1640821238"},{"product_id":"lobed-vase","title":"Lobed Vase","description":"Anagama. Natural ash \u0026amp; shino slip.\n\u003cbr\u003e\u003cbr\u003e\nThe Anagama (meaning cave) type kiln was brought to Japan from China. Anagama kilns are single chamber structures built in the form of a tunnel, with a firebox at one end and a flue at the other. Fuelled with wood, the fire is stoked around the clock to achieve temperatures of around 1400 C. Firings can last over a week, with another week required for cooling before the kiln can be opened. The placement of the pots within the the kiln is carefully thought out – many different finishes can be achieved depending on where pots are placed in relation to the path of the flame, proximity to the firebox, and closeness to other pieces. 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