Meeth clay. Shino glaze. Side stacked. Ash
Natural ash glaze occurs in a wood fired kiln when ash particles carried around the kiln by the hot air and flames land and melt on the pots, often creating dramatic colour variations on their surfaces depending on their position in the kiln.
Shino glazes were first developed in Japan during the mid-1500s. They are distinguished by their large feldspar content, minerals that lower the melting point of the glaze mixture and help bond its distinct elements. They generally range from milky whites and pinks to deep reds, oranges and greys depending on their makeup and firing and can vary hugely in appearance from potter to potter.

Nic Collins was born in 1958 in Leamington Spa, Warwickshire. A self-taught potter and woodfirer, he started building kilns and wheels during his late teens and early 20s, experimenting with raku, salt glazing and sawdust firings, and using clay sourced from local river banks.
He studied studio ceramics at Derby College of Art 1985-86 and then went on to work in potteries in Italy and Germany before returning to the UK. He now lives and works in Devon, on the edge of Dartmoor.