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  • In making my new pieces I have tried to take the three important elements of Buncheong – dark clay, white slip, and a clear glaze – and devise my own vocabulary of iron painted motif. Those who know my work will appreciate that this is something of a departure from the decorative treatments I usually employ, working as I do into the surface of the clay. I haven’t left those techniques behind; but I hope this new approach will sit comfortably alongside as a further expression of my way with clay. Click here to read more >

Phil Rogers

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