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Hamstead Marshall Gate Piers, 1982
Piper experimented with printmaking from as early as 1923 when he produced four wood engravings. Piper’s prints embody his love of Britain through their depiction of its art, architecture and topography. However frequently underpinning their design, as the artist Rigby Graham has indicated, are the elements of collage, construction and assemblage that featured in his modernist work of the early 1930s.
Signed gouache with wash, pen and ink.
Exhibited at Marlborough Galleries.
Along with the main entrance of Hamstead Marshall Park stand the palace gates. The eight pairs of elaborate gateposts standing in and around the fields of Hamstead Marshall are all that remain of the once vast mansion of William, the 1st Earl of Craven, built by by Sir Balthazar Gerbier and William Wynne which burnt down in 1718. Most date from the building of the great house between 1663 and 1697, though some may be later.
Referenced and illustrated in The Art of John Piper by David Fraser Jenkins and Hugh Fowler-Wright, pg 375 No. 10.19.
Framed size: 58.5 x 76 cm
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