Ottery St. Mary, 1987
Piper experimented with printmaking from as early as 1923 when he produced four wood engravings. Piper’s prints embody his love of Britain through their depiction of its art, architecture and topography. However frequently underpinning their design, as the artist Rigby Graham has indicated, are the elements of collage, construction and assemblage that featured in his modernist work of the early 1930s.
From the edition of 100.
Printed by Kelpra Studios and published by CCA Galleries.
Please note, edition number may vary.
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