Sometimes the word 'gallery' simply isn't enough. Yes, it's the core of a business dedicated to the best in painting, printmaking, sculpture and ceramics. But here the books turn into paintings, the paintings turn into films. Watch our short film to find out a bit more about us and what we do.
Ayrton’s sheer determination and focus in his own work, his rejection of the artistic trends which flooded the mid-20th century, meant that he was all too isolated from mainstream criticism and he has remained relatively little known. He died in 1975 and is only now beginning to gain the attention he has long deserved.
'At the centre of the Maze, in all meanings of the expression, is the Minotaur, and Michael Ayrton’s identification of himself with the Minotaur, as well as with Daedalus, lies at the root of his compulsive image. Half bull and half man, the Minotaur stands isolated among the hybrids of the Classical World, since he alone possesses an animal’s head attached to a human body. Whereas Satyrs and Centaurs symbolize the animal urges of man, held in check by civilization, the Minotaur represents, in the words of John Berger, the animal in captivity of an almost human form, and, the suffering which is caused by aspiration and sensibility being rejected because they exist in an unattractive, that is so untamed, uncivilized body. Either way the Minotaur suggests a criticism of civilisation, which inhibits him in the first case and dismiss him in the second.
During the last years of his life, Ayrton continued to explore the theme with further drawings and small bronzes. The Minotaur thus remained, in his frustration at being unable to communicate fully with the world, a potent symbol for Michel Ayrton, and his deep, if not obsessive, attachment to the theme was stated unequivocable by his Personal Janus of 1970.' Peter Cannon-Brookes, Michael Ayrton - An Illustrated Commentary, 1984.
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Goldmark have the most astonishing range, from the very affordable to the upper echelons of the market. The staff are incredibly knowledgeable and really helpful. For anyone wanting to start a serious art collection within whatever budget this could be the best place to start.
There is no other gallery like Goldmark. I'm always amazed at both the stock they hold and their ability to regularly source really quite special pieces of art. That, with their friendly, knowledgeable & utterly unpretentious style makes them a delight to visit & to buy from.
Their delivery service is 100% reliable and the breadth of work displayed on their website pretty amazing. Above all, unlike other such dealers, I have never been under any pressure to buy. I recommend you give them a try.
We first visited Goldmark approximately 6 years ago and immediately liked the informality compared to previous gallery experiences. It’s a great place to start or build on your collection. Everyone at Goldmark is very friendly, knowledgeable and will give you as much or as little time as you wish.
Great pots, exquisitely displayed, expertly packed and shipped all over the world! The storytelling about potters and their methods has been extremely helpful, Goldmark is fabulous!
Always friendly and helpful staff with an amazing ever changing gallery of wonderful art and studio pottery! Would highly recommend a visit!
We have bought prints and pots from Goldmark over many years and our house is the richer for the collections we have built up. The framing and delivery service are faultless.
Their exhibitions are always prepared with great care, with videos and catalogs accompanying the shows. I have not been able to visit the gallery in person but all the Goldmark team is splendid and highly professional, which makes the virtual shopping a great experience.
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