Sometimes the word 'gallery' simply isn't enough. Yes, it's the core of a business dedicated to the best in painting, printmaking, sculpture and ceramics. But here the books turn into paintings, the paintings turn into films. Watch our short film to find out a bit more about us and what we do.
The Crucifixion: Small Plate, Assumed date: 1635
The technical mastery and inventiveness with which Rembrandt made his 300 or so etchings was already recognised in his lifetime and his prints were widely sought after. Baldinucci, the famous Florentine biographer, praised Rembrandt’s ‘highly bizarre technique, which he invented for etching and which was his alone, being neither used by others or seen elsewhere’ (1686). Rembrandt died in 1669.
Originally signed in the plate top centre; the signature is worn in the original plate and just a mere ghost remains.
Born in Leiden in 1606, Rembrandt was to become the most important artist of the Dutch Golden Age and, as summed up by Gombrich in The Story of Art, ‘one of the greatest painters who ever lived’. But it is also Rembrandt’s unparalleled skills and achievements as an etcher that has made him a continuous source of inspiration to scholars and collectors alike, as well as a profound influence on many later artists, including Francisco de Goya, James McNeill Whistler and Pablo Picasso. The technical mastery and inventiveness with which Rembrandt made his 300 or so etchings was already recognised in his lifetime and his prints were widely sought after. The very fact that his graphic work could be reproduced meant that it was his etchings, rather than his drawings or paintings, which led to his international reputation at the time.
In spite of his artistic success, Rembrandt was forced to declare bankruptcy in 1656 and his house and possessions were put under auction. Fortunately, Rembrandt's copper etching plates were not amongst the items sold, and for a while their whereabouts were unknown. After Rembrandt’s death in 1669, the first record of the plates appeared in an inventory of his estate created by his friend, the print dealer Clement de Jonghe. The plates then passed through several hands but it wasn’t until the latter half of the 18th century that the first significant posthumous impressions of the existing copperplates were made. This was under the ownership of Parisian dealer Claude Henri Watelet, who was a very skilled etcher himself and was apparently the first to rework some of the plates. It was in 1786 that the Parisian printer and publisher Pierre-Francois Basan acquired around 80 etching plates by Rembrandt from the estate Watelet. The so-called Basan Receuil was first published in 1789 and constituted a landmark not only in the history of Rembrandt scholarship, but also in the development of the academic study of art. For the first time a volume containing an overview of Rembrandt's work printed from his own plates was available to the collecting public. It was, in many respects, the first illustrated catalogue of an artist's work. After Basan died in 1797, his son, Henri Louis Basan, inherited the plates and published further collections of Rembrandt etchings in 1807/8. The H.L. Basan edition seldom appears for sale and we are truly delighted to have acquired this collection.
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A Gallery Supporting Real ArtistsGoldmark is proud to have changed the lives of many living artists, enabling them to spend more of their time making pictures, pots and sculpture.READ MORE
Goldmark is delighted to be a member of the International Fine Print Dealers Association, the Fine Art Trade Guild and the Confederation Internationale de Negociants en Oeuvres d'Art.READ MORE
Goldmark have the most astonishing range, from the very affordable to the upper echelons of the market. The staff are incredibly knowledgeable and really helpful. For anyone wanting to start a serious art collection within whatever budget this could be the best place to start.
There is no other gallery like Goldmark. I'm always amazed at both the stock they hold and their ability to regularly source really quite special pieces of art. That, with their friendly, knowledgeable & utterly unpretentious style makes them a delight to visit & to buy from.
Their delivery service is 100% reliable and the breadth of work displayed on their website pretty amazing. Above all, unlike other such dealers, I have never been under any pressure to buy. I recommend you give them a try.
We first visited Goldmark approximately 6 years ago and immediately liked the informality compared to previous gallery experiences. It’s a great place to start or build on your collection. Everyone at Goldmark is very friendly, knowledgeable and will give you as much or as little time as you wish.
Great pots, exquisitely displayed, expertly packed and shipped all over the world! The storytelling about potters and their methods has been extremely helpful, Goldmark is fabulous!
Always friendly and helpful staff with an amazing ever changing gallery of wonderful art and studio pottery! Would highly recommend a visit!
We have bought prints and pots from Goldmark over many years and our house is the richer for the collections we have built up. The framing and delivery service are faultless.
Their exhibitions are always prepared with great care, with videos and catalogs accompanying the shows. I have not been able to visit the gallery in person but all the Goldmark team is splendid and highly professional, which makes the virtual shopping a great experience.
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