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Bellmer published photographs of these models in a portfolio entitled “Die Puppe” in 1934, some appearing in the Surrealist journal “Le Minotaure”. He later moved to France after his wife’s death and spent the rest of his life in Paris. There he worked with the Surrealists, focussing on drawings and etchings inspired by the Marquis de Sade which explored sexuality in a distinctive, figurative style.
From the suite à Sade.
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