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Ashes to Ashes: How the lowliest of materials b...
Not a Crystal, but a Flower What you and I know as jade could in...
Koichiro Isezaki: Presence
Recently in conversation with Izesaki Kôichiro (b. 1974) discussing his first solo exhibition at Goldmark...
Made in China: The Extraordinary Story of Jingd...
It is now a decade since the Goldmark film crew first visited Jingdezhen, China’s ‘Porcelain...
A Retrospect of Churches
Tradition and modernity converge in mysterious ways in Piper’s greatest work in print. John Piper’s...
John Allen - Woven England
Looking back towards the end of his long life, the Neo-Romantic artist John Piper (1903–92)...
Elisabeth Frink | Sculptor/Printmaker
30 years after the sculptor’s untimely death, Caroline Wiseman looks back on a phenomenal career...
Ceri Richards: Sabines & Ceramics
Ceri Richards’ post-war period was a time of reflection, painting the interior scenes of his...
Rigby Graham & John Clare: Painter in search of...
Rigby Graham retraces John Clare’s ‘Journey out of Essex’. In Charles Mapleston’s 1992 film, John Clare’s...
Victor Pasmore: Points of Contact
‘It is Pasmore’s chief poetic gift that he can make the cosmic and the intimate...
Barbara Hepworth | Three Forms in Echelon
Dame Barbara Hepworth, it is fair to say, was not naturally suited to partnership. Her...
Phil Rogers & Richard Coles in conversation
Phil Rogers’ fifth Goldmark exhibition opened at the height of Covid lockdown. With no possibility...
Punch Line: Tenniel’s Alice
When readers of the Alice books first opened their pages, the faces that greeted them...