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Ceri Richards: Sabines & Ceramics
Ceri Richards’ post-war period was a time of reflection, painting the interior scenes of his...
Rigby Graham & John Clare: Painter in search of...
Rigby Graham retraces John Clare’s ‘Journey out of Essex’. In Charles Mapleston’s 1992 film ,John...
Victor Pasmore: Points of Contact
‘It is Pasmore’s chief poetic gift that he can make the cosmic and the intimate...
Barbara Hepworth | Three Forms in Echelon
Dame Barbara Hepworth, it is fair to say, was not naturally suited to partnership. Her...
Phil Rogers & Richard Coles in conversation
Phil Rogers’ fifth Goldmark exhibition opened at the height of Covid lockdown. With no possibility...
Punch Line: Tenniel’s Alice
When readers of the Alice books first opened their pages, the faces that greeted them...
An Urge to Collect
Just months ahead of his retirement as Head of Aberystwyth University’s School of Art and...
Barbara Hepworth | Printmaker
Were it not for an introduction to the lithographer Stanley Jones, Barbara Hepworth – grand...
Paula Rego's Jane Eyre
‘I always need a story. Without a story I can’t get going,’ Paula Rego told...
Elisabeth Frink at the Curwen Studio
By the time Elisabeth Frink (1930-93) came to make prints in the Curwen Studio, she...
Stanley Jones (1933-2023) A lifetime of printma...
The late Stanley Jones will be remembered as one of the key figures in the...
Akiko Hirai | Getemono
My pots display a lot of marks and traces of past events. To describe them...