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Koichiro Isezaki | Detail and Balance
Detail and Balance I first met Koichiro on a visit to Bizen some eighteen years...
Sutherland Flies South
Graham Sutherland’s first discovery of the south of France in 1947 transformed his painting. Sally...
Christopher P Wood | Savage Wonderlands
Ian Duhig illuminates Wood’s latest project: tackling the ever-relevant tales of the Brothers Grimm I...
Los Caprichos | Francisco José de Goya y Lucientes
Los Caprichos was Goya’s first significant etching suite: a near unrivalled technical and satirical masterpiece....
Peter Eugene Ball: Devoted Treasures
There can be few other living artists with as many works of art in churches...
Akiko Hirai: Gone to Earth
Akiko Hirai’s work is unmistakable. At twenty paces, her moon jars and faceted bottles betray...
'Houseplants and Mountain Trees' - Pots for the...
Gardener and writer Stephen Anderton has spent a career working with touch and sight in...
Colours by Number: Rothenstein's Red
An idyllic childhood in the Stroud Valley introduced the young Michael Rothenstein to a world...
Morandi & Morwenna | Colours of Light and Dust
Giorgio Morandi and Morwenna Thistlethwaite. The Italian master and the Cornish recluse. Bologna and Downalong,...
Alchemy on Anglesey
It is with very mixed emotions that I sit here and reflect on Norman Ackroyd’s...
Light in the Art of Francis Davison
‘Now is life very solid or very shifting? I am haunted by the two contradictions....
Unrestrained Celebration by Mark Haddon
I first found myself on the Goldmark website some years ago in search of prints...