Signed and numbered colour screenprint.
From the edition of 100.

William Tillyer (born 28 September 1938) is an English artist. His work has been shown frequently in the UK and internationally since the late 1950s. There are at least 15 works by Tillyer in the Tate collection, including High Force (1974). Examples of his work are also included in the collections of the Museum of Modern Art, New York, the Brooklyn Art Museum, the Fort Worth Art Museum, Texas, the Smith College Museum of Art and the Victoria and Albert Museum. Born in Middlesbrough, Tillyer studied painting at the Middlesbrough College of Art from 1956 to 1959 before moving to London in the 1960s to study at the Slade School of Art, with painting as his main subject and printmaking as his subsidiary. There, he encountered William Coldstream and Anthony Gross, among others. Following his time at the Slade, Tillyer took up a French Government Scholarship to study gravure under Stanley William Hayter, at Atelier 17 in Paris. Here, Tillyer had what he describes as "the archetypal artist's studio" at rooftop level in the American Pavilion of the Cité Universitaire, where he lived and worked when not in Hayter's studio. There he found a dense population of students, and a properly equipped print workshop. The pressure, though, was such that he spent much of his time in his room, making prints without a press. In 1963 he returned to England, and lived first in Notting Hill, in something close to abject poverty, and then in Middlesbrough.
By the later 1960s Tillyer was experimenting with constructed works with a conceptual basis, working on ideas of the grid and of the implied performative nature of hardware such as hinges and handles, he made works including Fifteen Drawer Pulls, 1966.
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