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Jesus Falls for the Third Time, c.1934
Lithographic Zinc Plate •
Signed •
76.2cm
x
81.3cm
SKU: FB-87595-m
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Anglo-Welsh artist Frank Brangwyn was actually born in Bruges (1867), but his family returned to London when he was eight years old. He took to sketching regularly in his early teens and, aged 18, Brangwyn exhibited at the Royal Academy for the first time. During the 1890s he produced book illustrations, continuing to do this for the rest of his career.
In the 1900s Brangwyn began designing furniture, textiles, ceramics and other media. He was made an Official War artist in World War I, gaining repute through his posters, and was further recognised with an RA appointment (1919) and a knighthood (1941). Brangwyn was given a major retrospective exhibition at the Royal Academy, the first time this honour had been accorded to a living artist.
In the 1900s Brangwyn began designing furniture, textiles, ceramics and other media. He was made an Official War artist in World War I, gaining repute through his posters, and was further recognised with an RA appointment (1919) and a knighthood (1941). Brangwyn was given a major retrospective exhibition at the Royal Academy, the first time this honour had been accorded to a living artist.
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About the work
About the Work
Monogrammed original zinc lithographic plate.
Provenance: Kenneth Center; Michael Campbell; private collection, London.
In 1934 Brangwyn completed a set of Stations of the Cross, the original designs drawn in outline on tracing paper and transferred to zinc plates from which the lithographs were printed. The tracing-paper design was transferred to the plate by rubbing the back of the paper with chalk and then retracing the outline of the image. Following this, Brangwyn would have added the detail to the plate, including shading and the folds of the costumes, using lithographic crayon.
Provenance: Kenneth Center; Michael Campbell; private collection, London.
In 1934 Brangwyn completed a set of Stations of the Cross, the original designs drawn in outline on tracing paper and transferred to zinc plates from which the lithographs were printed. The tracing-paper design was transferred to the plate by rubbing the back of the paper with chalk and then retracing the outline of the image. Following this, Brangwyn would have added the detail to the plate, including shading and the folds of the costumes, using lithographic crayon.
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