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Platter, 2015
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Ken Matsuzaki was born in 1950 in Tokyo. Growing up Matsuzaki’s life was filled with art and culture and his family’s influence began to show when, around the age of 16, Matsuzaki developed an interest in ceramics. In 1972, after graduating from Tamagawa University’s College of Arts, he began a 3 year apprenticeship with (National Living Treasure) Tatsuzo Shimaoka.
Nearing the end of his apprenticeship Matsuzaki asked Shimaoka if he would consider extending it for another 2 years, whilst he learned to develop his own style, and began creating his own motifs and palette of glazes that he would use for the next 15 years. Today, Matsuzaki has exhibited widely in Japan, America and the UK and his work is held in major galleries worldwide.
Nearing the end of his apprenticeship Matsuzaki asked Shimaoka if he would consider extending it for another 2 years, whilst he learned to develop his own style, and began creating his own motifs and palette of glazes that he would use for the next 15 years. Today, Matsuzaki has exhibited widely in Japan, America and the UK and his work is held in major galleries worldwide.
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About the work
About the Work
Beni Shino
Shino glazes were first developed in Japan during the mid-1500s. They are distinguished by their large feldspar content, minerals that lower the melting point of the glaze mixture and help bond its distinct elements. They generally range from milky whites and pinks to deep reds, oranges and greys depending on their makeup, the clay body they are applied to and and firing and can vary hugely in appearance from potter to potter.
Sebastian Blackie explains more about Matsuzaki's shino glazes here:
Shino is a glaze made almost entirely from the feldspar family of minerals. When they melt they form a liquid of high viscosity that continues to move with great sluggishness at much higher temperatures. Feldspars that are alkaline and low in silica typically produce a thick white glaze breaking to pink or red in the presence of iron oxide. Matsuzaki brilliantly combines layers of different feldspars which interact in firing, forming eutectics (a mix of two materials that melt at a lower temperature than either alone) at their interface, causing the materials to slide over one another to produce glaze effects of great drama and movement. White Shinos on iron-bearing clay bodies will slowly darken as they absorb the oxide. This glaze quality is rarely seen outside Japan. It is the result of seven day-long firings at relatively low stoneware temperatures; a legacy of the inefficient (in Western terms) Anagama kilns in which Shino glazes were first fired. This quality is the product of long firings but also the embodiment of a ritual where the potter is physically and emotionally stretched in the process of giving some permanence to his work.
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Dimensions & Details
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Vendor:
Ken Matsuzaki
Big Dish
Stoneware
Regular price
£18,500
Regular price
Sale price
£18,500
Unit price
per
Vendor:
Ken Matsuzaki
Big Dish
Stoneware
Regular price
£18,500
Regular price
Sale price
£18,500
Unit price
per
Vendor:
Ken Matsuzaki
Platter
Stoneware
Regular price
£8,490
Regular price
Sale price
£8,490
Unit price
per
Vendor:
Ken Matsuzaki
Big Yohen Vase
Stoneware
Regular price
£5,250
Regular price
Sale price
£5,250
Unit price
per
Vendor:
Ken Matsuzaki
Yohen Vase
Stoneware
Regular price
£3,855
Regular price
Sale price
£3,855
Unit price
per
Vendor:
Ken Matsuzaki
Yohen Vase
Stoneware
Regular price
£3,855
Regular price
Sale price
£3,855
Unit price
per
Vendor:
Ken Matsuzaki
Yohen Vase
Stoneware
Regular price
£3,650
Regular price
Sale price
£3,650
Unit price
per
Vendor:
Ken Matsuzaki
Tōkaiseki Vase
Stoneware
Regular price
£3,250
Regular price
Sale price
£3,250
Unit price
per
Vendor:
Ken Matsuzaki
Yohen Vase
Stoneware
Regular price
£2,950
Regular price
Sale price
£2,950
Unit price
per
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