Anglesey Beach, 1963
Piper experimented with printmaking from as early as 1923 when he produced four wood engravings. Piper’s prints embody his love of Britain through their depiction of its art, architecture and topography. However frequently underpinning their design, as the artist Rigby Graham has indicated, are the elements of collage, construction and assemblage that featured in his modernist work of the early 1930s.
This print formed part of a portfolio of original lithographs by British artists.
The edition was divided into edition A, of 35 numbered with roman numerals printed on Japon and edition B of 65 numbered with Arabic numerals and printed on Arches.
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