Blenheim Bridge, 1988
Piper experimented with printmaking from as early as 1923 when he produced four wood engravings. Piper’s prints embody his love of Britain through their depiction of its art, architecture and topography. However frequently underpinning their design, as the artist Rigby Graham has indicated, are the elements of collage, construction and assemblage that featured in his modernist work of the early 1930s.
Executed at the Curwen Studio, by Stanley Jones and Mary Dalton after a painting in the collection of His Grace, The Duke of Marlborough, to commemorate the 20th anniversary of John Piper's death.
Please note the image is for reference only. Edition number may vary.
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