Blueprints for a New Museum D3.18, 1980-81
A significant member of the Group, Paolozzi greatly influenced the development of Pop Art. He emerged fully onto the Pop Art scene in 1962 with his abstract, robot-like figures such as Four Towers and Solo, but of all his work his screenprints are said to have had the largest impact on Pop Art. He taught all over the world as guest professor and lecturer, and was knighted in 1988. Eduardo Paolozzi died in 2005.
Illustrated on pg.135 of Recurring Themes, Paolozzi.
For these prints Paolozzi used transparent film to 'float' the images on top of each other. His work was part of a project to celebrate the centenary of the completion of the spire of Cologne Cathedral. He records: 'I created a kind of blueprint for my ideal museum- the museum has one example of everything that is wonderful and has meaning - an aeroplane, railway engine, a large model of a pig, Einstein, computers, the Beaubourg.' (Paolozzi 1983)
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