Carnations, c.1920
After the museum job, Urushibara worked independently, collaborating with English and French designers on prints—notably with Frank Brangwyn. He carved and printed many prints from Frank Brangwyn's designs of horses, landscapes, and flowers. In a portfolio called "Bruges" (1919) he reproduced several of Brangwyn's watercolours as large woodblock prints. In 1924 he again collaborated with Brangwyn in the portfolio Ten Woodcuts by Yoshijirô Urushibara after Designs by Frank Brangwyn.
Urushibara had a profound influence on European colour printmakers and even taught many of the key figures of the European colour print movement. He is known in particular for his intricate flower and wildlife prints as well as his landscapes.
The British Museum in London has a major holding of his woodcuts.
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