Chained Beast, 1967
In his work Sutherland developed an interest in natural forms of growth such as tree roots and thorn bushes which he often depicted in close-up or from foreshortened viewpoints. These organic growth formations, which remained central to Sutherland’s work throughout his career, often appeared menacing or threatening with their hints of human or animal like characteristics.
Signed lithograph. From Sutherland's first Bestiary Suite, a suite of 26 etchings.
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