Christ at Emmaus: The large plate., 1654
The technical mastery and inventiveness with which Rembrandt made his 300 or so etchings was already recognised in his lifetime and his prints were widely sought after. Baldinucci, the famous Florentine biographer, praised Rembrandt’s ‘highly bizarre technique, which he invented for etching and which was his alone, being neither used by others or seen elsewhere’ (1686). Rembrandt died in 1669.
The states: I: The outline of the hat on the back of the disciple at right is broken. Signed and dated Rembrandt. II: The outline of the hat is completed with the drypoint. Additional diagonal shading of the table below the cloth immediately in front of the chest of the man descending the cellar stairs. III: Further shading of same place by close horizontals. Modern: Basan ( No further rework in the first edition of the Recueil).
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