Generations 7, 1978
Independent, constantly questioning and intensely urban, Denny immersed himself in contemporary city culture, making it the foundation of his work. His titles, though apparently plucked from the air, were culled from news reports, TV shows and esoteric reading. Later, they sometimes suggested the process of making paintings, implying a reflective dialogue between artist and canvas. He also made numerous prints and, with the Colour Box series, experimented with translucent acrylic sheets as a medium for multiples.
Bon-a-Tirer before the edition of 35.
Printed at JC Editions.
Published by Bernard Jabobson.
The Generations Suite is a set of 24 etchings, all with asymmetrical linear configurations which relate by mirroring one another through the set.
The etching plates were printed over watercolour wash and, on some, a further wash was then added.
The plate alters the ground colours and adds black or white soft-ground etched lines.
The conventions for numbering prints are well-established, such as editions, artist’s proofs and printer’s proofs.
These prints are from a B.A.T or Bon-A-Tirer edition, meaning ‘Good to Print’ in French. This is the master image that the artist signs off for the printer as the standard that the editions must match. It is very rare to find B.A.T editions.
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