Highball on the Red Ball Manifest, 1997
As a self-proclaimed “American painter of signs,” Indiana gained international renown in the early 1960s for employing the vernacular form of American road and shop signs, combining it with a sophisticated formal and conceptual approach that turned this familiar vocabulary into something entirely new. His distinctive rendering of LOVE, in paintings, sculptures and prints, has become an icon of 20th-century art.
From The American Dream. Signed. Edition of 395
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