Improvisation 1, 1911
His move towards abstraction began with his philosophy about the nature of art, influenced by theosophy and mysticism. He did not reject representation, but held that the ‘pure’ artist seeks to express ‘inner’ feelings and ignores the superficial. He was one of the most active figures in the Blaue Reiter group and also took up a teaching post in 1921 in the Bauhaus until it was closed in 1933. He died in 1944.
Edition of 300 from the suite Klänge (the German word for sounds)
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