Isle Abbots, 1986
Piper experimented with printmaking from as early as 1923 when he produced four wood engravings. Piper’s prints embody his love of Britain through their depiction of its art, architecture and topography. However frequently underpinning their design, as the artist Rigby Graham has indicated, are the elements of collage, construction and assemblage that featured in his modernist work of the early 1930s.
Artist's proof aside from the main edition of 100.
Printed at Kelpra Studio.
Published by CCA Galleries in 1986.
Please note, image is just for reference.
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