La Celestine, Sa Protégée, 26/06/68
It is our good fortune that Picasso had such a great love of printmaking. By the time he died in 1973 he had produced a substantial body of original etchings, lithographs and linocuts, which rank with the greatest prints of the 20th Century. While the ownership of an original painting is, for the majority of us, out of the question, his original prints made in small editions remain relatively accessible.
Between March 16 and October 5, 1968, Picasso worked on the plates almost daily, using various techniques (sometimes on the same plate); he was impatient to see the impression as soon as it was pulled by Aldo and Piero Crommelynck, who had installed their atelier at Mougins.
This must rank as one of Picasso's most important and sought-after late suites.
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More From The Artist
A Gallery Supporting Real ArtistsGoldmark is proud to have changed the lives of many living artists, enabling them to spend more of their time making pictures, pots and sculpture.READ MORE
Goldmark is delighted to be a member of the International Fine Print Dealers Association, the Fine Art Trade Guild and the Confederation Internationale de Negociants en Oeuvres d'Art.READ MORE
Goldmark have the most astonishing range, from the very affordable to the upper echelons of the market. The staff are incredibly knowledgeable and really helpful. For anyone wanting to start a serious art collection within whatever budget this could be the best place to start.
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