La Table aux Crevés, 1950
Vlaminck was much influenced by the Post-Impressionists, particularly by a Van Gogh exhibition he saw in Paris in 1901. Four years later he exhibited at the Salon d’Automne with a group of artists including Derain, Matisse, Rouault and Marquet, who were collectively dubbed the Cage aux Fauves (Cage of Wild Beasts) because of their use of strong colour applied in an expressionistic way.
This remarkable series of prints are re-interpretations of Vlaminck paintings by master printer Pierre Bouchet at his atelier in Boulogne-sur-Seine. Under Vlaminck’s guidance Bouchet made wood engravings of each work.
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Goldmark have the most astonishing range, from the very affordable to the upper echelons of the market. The staff are incredibly knowledgeable and really helpful. For anyone wanting to start a serious art collection within whatever budget this could be the best place to start.
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