Leg and Boots Study, 1971
Piper experimented with printmaking from as early as 1923 when he produced four wood engravings. Piper’s prints embody his love of Britain through their depiction of its art, architecture and topography. However frequently underpinning their design, as the artist Rigby Graham has indicated, are the elements of collage, construction and assemblage that featured in his modernist work of the early 1930s.
Wonderfully spontaneous drawing from John Piper’s c1971 sketchbook, available for sale for the first time, in which Piper can be seen to be working on ideas that he would later use in his prints of Foliate Heads, the Eye and Camera series and his ceramic platters.
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