Llyn Teifi, 1987
Piper experimented with printmaking from as early as 1923 when he produced four wood engravings. Piper’s prints embody his love of Britain through their depiction of its art, architecture and topography. However frequently underpinning their design, as the artist Rigby Graham has indicated, are the elements of collage, construction and assemblage that featured in his modernist work of the early 1930s.
Printed by Kelpra Studio, published by Orde Levinson.
In 1989 a translation/interpretation of this image was woven as a tapestry by Ibenstein Weavers.
Please note, the edition number may vary.
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