Metamorphosis of Daphane, 1987
A particular motif Tilson returned to again and again throughout the 60s was that of grids, both as a formal device and a symbolic way of relating objects to one another. The resulting squares were often set apart from each other by their vibrant colours and the imagery they contained. Tilson is a Royal Academician and his artistic career was celebrated at the Royal Academy in a retrospective exhibition in 2002.
Lift ground etching with aquatint, woodcut and carborundum on Velin d'Arches paper. Waddington Graphics, London - Studio 107, Wiltshire.
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