Montpellier-de-Didonne, Charente, 1968
Piper experimented with printmaking from as early as 1923 when he produced four wood engravings. Piper’s prints embody his love of Britain through their depiction of its art, architecture and topography. However frequently underpinning their design, as the artist Rigby Graham has indicated, are the elements of collage, construction and assemblage that featured in his modernist work of the early 1930s.
Signed, edition of 70
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Astonishing place. Driving home I realised it was probably the best experience I've ever had in a shop/gallery. I'll be filling my house with their artworks for years to come. A unique place.
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Goldmark have the most astonishing range, from the very affordable to the upper echelons of the market. The staff are incredibly knowledgeable and really helpful. For anyone wanting to start a serious art collection within whatever budget this could be the best place to start.
There is no other gallery like Goldmark. I'm always amazed at both the stock they hold and their ability to regularly source really quite special pieces of art. That, with their friendly, knowledgeable & utterly unpretentious style makes them a delight to visit & to buy from.
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