Nursery Frieze II, 1936
Piper experimented with printmaking from as early as 1923 when he produced four wood engravings. Piper’s prints embody his love of Britain through their depiction of its art, architecture and topography. However frequently underpinning their design, as the artist Rigby Graham has indicated, are the elements of collage, construction and assemblage that featured in his modernist work of the early 1930s.
Although the edition size was unspecified at the time of printing, the Nursery Frieze prints are extremely scarce. Most were pasted directly on to the wall of the nursery, so sadly have not survived.
Waterlow and Sons 1936. Contemporary Lithographs 1936. Machine-made lithographic cartridge.
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