Prometheus II, 1970
He was a versatile artist, able to absorb many influences without sacrificing his originality. From 1933 he worked on a series of relief constructions and assemblages which were described by John Rothenstein as ‘original creations of a rare order, and unlike anything else done in Britain at the time’. Much of his work was inspired by his love of music and the poetry of Dylan Thomas.
Signed first proof aside from the edition of 60. From The Beethoven Suite
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