Resurrection, 1918
By Max Beckmann
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Born in 1884, Max Beckmann was a German artist and writer who, though he rejected the term and movement, was most closely associated with German Expressionism. As a young man he practiced drawing like the old masters, but his experiences in the First World War as a medical orderly dramatically changed his style, which became increasingly distorted in both colour and form.
Best known for his extraordinary number of self-portraits, Beckmann received great critical acclaim throughout the years of the Weimar Republic, but his art was denounced by the Nazis and, upon Hitler’s ascension to power, rejected as degenerate art. Originally failing to gain a visa to the U.S. and painting in a studio in Amsterdam, Beckmann eventually emigrated after the war to New York. He died there in 1950.
Best known for his extraordinary number of self-portraits, Beckmann received great critical acclaim throughout the years of the Weimar Republic, but his art was denounced by the Nazis and, upon Hitler’s ascension to power, rejected as degenerate art. Originally failing to gain a visa to the U.S. and painting in a studio in Amsterdam, Beckmann eventually emigrated after the war to New York. He died there in 1950.
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Following on from his depiction of Christ’s removal from the crucifix, Beckmann offers a version of the Resurrection story, each phase contained within the same image. ‘Resurrection’’s style and composition is evidence that Beckmann, though primarily thought of as a German Expressionist, could also elude the label and often produced work of an almost unique fashion. This print seems almost surreal in its play with perspective, its distorted and contorted bodies and its bizarre anachronism too: in the foreground, towards the lower left-hand corner, Beckmann has included a portrait of Fridel Battenburg at the fore, his wife Minna Tube behind her in profile, Beckmann hidden behind her, Ugi Battenburg behind him, and the eyes and forehead of a young Peter Beckmann peering over a ledge beside his parents, incorporating both the metaphorical Gesicht of Christ’s resurrection and the literal Gesichter of his friends and family.
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Vendor:
Max Beckmann
Self - Portrait
Drypoint
Regular price
£12,000
Regular price
Sale price
£12,000
Unit price
per
Vendor:
Max Beckmann
Zeichnungen ...
Offset Litho...
Regular price
£450
Regular price
Sale price
£450
Unit price
per
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