Scotney Castle Vtest, 1982
Piper experimented with printmaking from as early as 1923 when he produced four wood engravings. Piper’s prints embody his love of Britain through their depiction of its art, architecture and topography. However frequently underpinning their design, as the artist Rigby Graham has indicated, are the elements of collage, construction and assemblage that featured in his modernist work of the early 1930s.
Signed proof aside from the main edition of 50. One of six signed etchings from the portfolio of the same name Scotney Castle, Kent. Published by Kelpra Editions in 1983.
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