Brannan showed a great admiration for the work of the French Post-Impressionists and also the still-lifes of Chardin. Yet the Lincolnshire landscape held equal appeal as a source of inspiration and throughout his 30 years in Newark Brannan produced numerous paintings of the market town and its people. As art critic Eric Newton observed, “it is evident that Newark is as stimulating to him as Montmartre was to Utrillo.” Brannan has had his work exhibited at the Royal Academy and the English Art Club.
Signed, oil on board
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