Sometimes the word 'gallery' simply isn't enough. Yes, it's the core of a business dedicated to the best in painting, printmaking, sculpture and ceramics. But here the books turn into paintings, the paintings turn into films. Watch our short film to find out a bit more about us and what we do.
Sur La Hauteur, 1945-46
From the early 1920s until 1939, Matisse divided his time between the South of France and Paris. While recuperating from two major operations in 1941 and 1942, he concentrated on a technique he had devised earlier, ‘papiers découpés’ (paper cutouts), which would prove hugely influential, and was one of the first painters to take an interest in “primitive” art. He died on November 3, 1954, in Nice.
In 1945, following the success of his series of lithographs under the titles Visages, inspired by Reverdy's poetry, Matisse began working with several exotic models, mostly Polynesian, to prepare illustrations for an ambitious suite of lithographs that he hoped to do in homage to his friend, the poet John-Antoine Nau.
Nau's poetry took its themes from voyages in the Antilles and in particular to Martinique where the facial sculpture of women from the Islands, with their exoticism and richness, was a great inspiration.
Matisse completed and proofed all the stones for the Poésies Antillaises series in 1945-46 which, in a letter to Mourlot, he called striking and superb. However for some reason the actual edition of the album was not pulled at that time. The work was finally published in 1972 by the Paris lithographer Fernand Mourlot, who scrupulously followed both Matisse's maquettes and his final corrected proofs.
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More From The Artist
A Gallery Supporting Real ArtistsGoldmark is proud to have changed the lives of many living artists, enabling them to spend more of their time making pictures, pots and sculpture.READ MORE
Goldmark is delighted to be a member of the International Fine Print Dealers Association, the Fine Art Trade Guild and the Confederation Internationale de Negociants en Oeuvres d'Art.READ MORE
Goldmark have the most astonishing range, from the very affordable to the upper echelons of the market. The staff are incredibly knowledgeable and really helpful. For anyone wanting to start a serious art collection within whatever budget this could be the best place to start.
There is no other gallery like Goldmark. I'm always amazed at both the stock they hold and their ability to regularly source really quite special pieces of art. That, with their friendly, knowledgeable & utterly unpretentious style makes them a delight to visit & to buy from.
Their delivery service is 100% reliable and the breadth of work displayed on their website pretty amazing. Above all, unlike other such dealers, I have never been under any pressure to buy. I recommend you give them a try.
We first visited Goldmark approximately 6 years ago and immediately liked the informality compared to previous gallery experiences. It’s a great place to start or build on your collection. Everyone at Goldmark is very friendly, knowledgeable and will give you as much or as little time as you wish.
Great pots, exquisitely displayed, expertly packed and shipped all over the world! The storytelling about potters and their methods has been extremely helpful, Goldmark is fabulous!
Always friendly and helpful staff with an amazing ever changing gallery of wonderful art and studio pottery! Would highly recommend a visit!
We have bought prints and pots from Goldmark over many years and our house is the richer for the collections we have built up. The framing and delivery service are faultless.
Their exhibitions are always prepared with great care, with videos and catalogs accompanying the shows. I have not been able to visit the gallery in person but all the Goldmark team is splendid and highly professional, which makes the virtual shopping a great experience.
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