Teatro Delle Maschere, 1956
Marino Marini drew on the tradition of Etruscan and Northern European sculpture in developing his major themes of the female nude, the portrait bust, and the equestrian figure. The subject of the horse and rider symbolised for him a primeval or mythical harmony between man and nature. Marino Marini died in 1980.
Published by XXe Siecle, Paris, and Leon Amiel, New York in a small edition of 50 only.
The horse and rider and simple nudes take their inspiration from Etruscan art and classical mythology and are enduring themes throughout Marini's sculpture and printmaking.
His work is held in major collections worldwide.
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Goldmark have the most astonishing range, from the very affordable to the upper echelons of the market. The staff are incredibly knowledgeable and really helpful. For anyone wanting to start a serious art collection within whatever budget this could be the best place to start.
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