The Golden Horn, 1924
After the museum job, Urushibara worked independently, collaborating with English and French designers on prints—notably with Frank Brangwyn. He carved and printed many prints from Frank Brangwyn's designs of horses, landscapes, and flowers. In a portfolio called "Bruges" (1919) he reproduced several of Brangwyn's watercolours as large woodblock prints. In 1924 he again collaborated with Brangwyn in the portfolio Ten Woodcuts by Yoshijirô Urushibara after Designs by Frank Brangwyn.
Urishibara (1888-1953) was a Japanese artist who came to London in 1907 and lived in England and France for the next 27 years. He collaborated with Frank Brangwyn on several commisions with this portfolio being one of their most notable achievements.
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