The Justice, 1982
His wider reputation was assured in 1948 when he won the International Sculpture Prize at the Venice Biennale and from then on came public commissions from all over the world. Moore started printmaking in 1931, and in 1958 met the master lithographer Stanley Jones at the Curwen Press with whom he continued to make prints until the end of his life in 1986.
From the Seven Ages of Man Portfolio. Proof copy aside from the edition of 75. A letter of authenticity signed by Stanley Jones accompanies this print. And then, the lover, Sighing like furnace, with a woeful balad Made to his mistress' eyebrow.
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A Gallery Supporting Real ArtistsGoldmark is proud to have changed the lives of many living artists, enabling them to spend more of their time making pictures, pots and sculpture.READ MORE
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