Trial Maquette for the North Thames Gas Board Building, c1963
Piper experimented with printmaking from as early as 1923 when he produced four wood engravings. Piper’s prints embody his love of Britain through their depiction of its art, architecture and topography. However frequently underpinning their design, as the artist Rigby Graham has indicated, are the elements of collage, construction and assemblage that featured in his modernist work of the early 1930s.
Trial fibreglass maquette for Piper's commission for the North Thames Gas Board. The panels on the Building are all much larger.Painted in oils by Piper.
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