Whithorn Priory, 1975
Piper experimented with printmaking from as early as 1923 when he produced four wood engravings. Piper’s prints embody his love of Britain through their depiction of its art, architecture and topography. However frequently underpinning their design, as the artist Rigby Graham has indicated, are the elements of collage, construction and assemblage that featured in his modernist work of the early 1930s.
The first print in the series Five Scottish Chapels, printed in 1975 by Kelpra Studios for Marlborough Fine Art. This is an artist's proof aside from the edition of 70.
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