Wigmore Abbey Gateway, 1981
Piper experimented with printmaking from as early as 1923 when he produced four wood engravings. Piper’s prints embody his love of Britain through their depiction of its art, architecture and topography. However frequently underpinning their design, as the artist Rigby Graham has indicated, are the elements of collage, construction and assemblage that featured in his modernist work of the early 1930s.
Printed at Kepra Studio in an edition of 70.
Published by Marlborough Fine Art.
Laid down on board for museum conservation.
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